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 Rupert Sheldrake is a theoretical biologist whose book, A New Science of Life: The Hypothesis of Formative Causation, continues to evoke a storm of controversy. 
 Following is the second in a series of articles wherein Sheldrake presents his ideas for amplifying Jung’s concept of the collective unconscious and archetypal psychology. 
 He concluded his first article with these words: 
 
 
 
 SOCIETY AS SUPERORGANISM 
			  
 
			 A familiar comparison might be that of a hive of bees or a nest of 
			termites: each is like a giant organism, and the insects within it 
			are like cells in a superorganism. Although comprised of hundreds 
			and hundreds of individual insect cells, the hive or nest functions 
			and responds as a unified whole.  
 
			To visualize this, it is 
			helpful to remember that fields by their very nature are both within 
			and around the things to which they refer. A magnetic field is both 
			within a magnet and around it; a gravitational field is both within 
			the earth and around it. Field theories thus take us beyond the 
			traditional rigid definition of "inside" and "outside."  
 
			This concept 
			better describes the characteristic phenomena of animal societies 
			than the idea that they are all individually interacting yet 
			separate things.  
 
 
			
			 
			  
 Termites are blind, and the inside of the nest is dark, so they can’t do it by vision. Edward O. Wilson considers it unlikely that they do it by hearing or acoustic methods, because of the constant background of sound caused by the movement of termites within the mound. 
 
			The only hypothesis 
			that Wilson, who represents the most hard-nosed reductionist school 
			of thought, considers likely is that they do it by smell. And even 
			he agrees that that seems farfetched.  
 
			Their movements were coordinated even though 
			they approached the wall from different sides. Amazingly, the 
			termites on opposite sides of the steel plate built arches that met 
			at the steel plate at exactly the right position to join if the 
			plate had not blocked their way. This seemed to demonstrate that 
			there was some kind of coordinating influence which was not blocked 
			by a steel plate. Obviously, this would be impossible to do by 
			smell, as Wilson suggests, since even termites can’t smell subtle 
			odors through a steel plate.  
 
 
			
			 
			  
 They move very fast in response to quite unexpected stimuli, yet they do not bump into each other. The same is true of flocks of birds. 
 
			A whole flock can bank as one without 
			the birds bumping into each other.  
 This is much faster than the birds’ minimum reaction time to stimuli. He measured their startle reaction time using dunlins in the laboratory in dark or dim light. He set off photographic flashbulbs and measured how long it took the birds to react. He found that it took the individual birds about 80-100 milliseconds; that is, they reacted as individuals four to five times more slowly than the rate at which the maneuver wave moved from bird to bird. 
 
			The banking maneuver could begin anywhere within 
			the flock - at the front or back or at the side. It was usually 
			initiated by a single bird or a small group of birds, and then 
			propagated outwards much faster than could be explained by any 
			simple system of visual cuing and response to stimuli.  
 
 
			
			 
			  
 The above examples illustrate a few of the areas in which actual empirical studies are possible - areas which suggest the existence of group minds or group fields in the coordination of collective animal behavior. It has often been suggested that a similar phenomenon may be at work in human groups, especially in the behavior of crowds. 
 
			A number of studies has been 
			conducted by social psychologists on what they call "collective 
			behavior," which includes the behavior of crowds, football 
			hooligans, rioting mobs, and lynching mobs, as well as rapidly 
			spreading social phenomena such as fashions, fads, rumors, crazes, 
			and jokes. All such phenomenon would fit readily into the concept of 
			group morphic fields.  
 
			We are contained within these larger 
			collective patterns of organization much of the time but because 
			they are always present, we cease to be aware of them. We take them 
			for granted, just as we take the air we breathe for granted, because 
			the air is also always present. However, if we are held under water 
			for a while, we no longer take the air for granted; we quickly 
			become conscious of our need for it! Similarly, people placed in 
			solitary confinement quickly become aware of the importance of 
			social interaction.  
 
			It behaved similarly to a group field, and many of the 
			activities of the group consciousness were concerned with 
			maintaining and stabilizing the continued existence of the group 
			field itself.  
 
 
			
			 
			  
 
			If 
			we think of such a group mind as an aspect of the morphic field of 
			the society, it would indeed have its own memory since all morphic 
			fields have in-built memory through morphic resonance.  
 
			By the 1930s, the 
			shadow side of collective consciousness had taken tangible form in 
			Nazi Germany. Because this shadow side was all too real, most people 
			were frightened of any concept suggesting group minds or group 
			consciousness. Certainly we have all seen the shadow side of group 
			consciousness only too clearly in the last few decades. What we 
			need to realize, however, is that there is much to be learned from 
			thinking about the more positive side of group fields or group 
			consciousness.  
 
			It was within this broader intellectual environment, 
			characterized by Durkheim’s conscience collective and McDougall’s 
			group mind, that Jung formulated his concept of the collective 
			unconscious.  
 
 
			
			 
			 
 It exists in our language in phrases such as the body politic, head of state, arm of the law. These are organic metaphors which imply the unified, organic nature of society. 
 
			The same notion is also common in religious metaphors, 
			and is expressed in such descriptions of the Christian church as the 
			mystical body of Christ. More specifically, Christ compared himself 
			to the vine of which the people were the branches, again connoting 
			an organic unity. Even in 17th-century political thought, which was 
			far more atomistic in tone, philosopher Thomas Hobbes compared 
			society to a leviathan, a great monster, using still another organic 
			metaphor.  
 
			We 
			speak of a growing economy which can be sick or healthy, and which 
			goes through cycles. Economies have all the attributes of giant 
			living organisms, with an autonomy which even politicians, 
			businessmen and bankers cannot control. The economy has become a 
			self-regulating, self-organizing system, very much alive in a 
			supposedly dead world. Thus the economy has come to life at the 
			expense of the earth, and that is one of the problems with which 
			many people are currently grappling.  
 This is similar to the way in which the morphogenetic field of the human being coordinates the entire body even though the cells and tissues within the body are continuously changing. 
 
 
			  
			  
 Rituals are found in all societies all over the world, both in cultural and religious contexts. For example, in our own society the Jewish feast of Passover recalls the dreadful visitation of death throughout Egypt when all the first-born were killed, except the first born of the Jews who were protected by the ritual blood of sacrificial lambs smeared on the doorways of Jewish houses. 
 
			In the Christian Mass, the ritual of Holy Communion, in 
			which Christians drink the blood and eat the body of Jesus - refers 
			back to the primal Last Supper when the Passover feast was 
			transformed and Jesus himself became the sacrificial victim.  
 
			When we say good-bye, we give a ritualized 
			blessing which retains some of the power of the original ritual, 
			even though most people are no longer conscious of its original 
			meaning. Similar ritual acts on large and small scales permeate even 
			our modern "enlightened" societies.  
 During this period, it was believed that there was a "crack in time" when the living and the dead, the past, the present, and the future all came together. The eve of the festival of the dead was Halloween, when the spirits and ghosts came out and the dead walked again. 
 Similarly, in the Christian calendar, November 1st is "All Saints Day" and November 2nd is "All Souls Day," when the souls of the departed are commemorated and requiem masses are said in churches even today. So, behind our present-day celebrations lay a much older ritual background: a pattern behind a pattern. 
 
			Many 
			of these ancient rituals are alive and well in the modern world.  
 
 
			
			 
			  
 For example, Brahmanic rituals in India use Sanskrit, a language which is no longer spoken except by Brahmins, and the Sanskrit phrases must be pronounced the correct way in order for the rituals to be effective. We find a similar practice in a Christian context. 
 
			The Coptic church in Egypt 
			dates back to ancient times when Coptic was the spoken language; so 
			in modern Cairo, you can attend a Coptic service and the language 
			you hear is the otherwise dead language of ancient Egypt. The 
			survival of ancient Egyptian in the Coptic liturgy was one of the 
			important clues that enabled the unraveling of the language of 
			ancient Egypt with the help of the Rosetta Stone. Similarly, the 
			Russian Orthodox church uses Old Slavic, and, until recently, the 
			Roman Catholic church used Latin. There are hundreds of such 
			examples.  
 When people are asked why they do this, they frequently say that this enables them to participate with their ancestors or predecessors. So rituals have a kind of deliberate and conscious evocation of memory, right back to the first act. If morphic resonance occurs as I think it does, this conservatism of ritual would create exactly the right conditions for morphic resonance to occur between those performing the ritual now and all those who performed it previously. 
 
			The 
			ritualized commemorations and participatory re-linking with the 
			ancestors of all cultures might involve just that; it might, in 
			fact, be literally true that these rituals enable the current 
			participants to reconnect with their ancestors (in some sense) 
			through morphic resonance.  
 
 
			
			 
			  
 
			The best known of the 
			Indian mantras is OM. A Christian mantra (and, in fact, it is also a 
			Jewish and Muslim mantra) is AMEN. Although it translates literally 
			as, "So be it," it has a much deeper significance as a 
			mantric 
			phrase. When chanted in its original form of AMEN, it was an 
			extremely powerful mantra. It survives at the end of Christian 
			prayers and hymns even though most people are unaware of why it is 
			there.  
 
			The acolytes visualize the guru 
			who has given it to them floating above their heads, and then 
			visualize the entire lineage of masters and gurus behind him, right 
			back to the Buddha himself. There are Tibetan pictures of people 
			sitting and meditating with a tree growing out of their heads - a 
			tree filled with faces and figures. These are called "lineage 
			trees," and they represent the spiritual lineage through which the 
			transmission comes to the disciple.  
 People are often instructed to use mantras only in the appropriate context and not to bandy the word around in casual conversation. I myself have heard Hindu gurus caution that inappropriate use will weaken the mantra. This makes impressive sense when explained in terms of morphic resonance: Instead of acting as a key tuning one into the meditative states of one’s own past and of the past of the guru or lineage of gurus, the mantra would also tune one into all the casual conversations at which the word had been bandied around. 
 
			Thus, extraneous influences which would dilute or weaken the 
			intended effect of the mantra would be brought in via the phenomenon 
			of morphic resonance.  
 
 
			
			 
			  
 Many religious teachers compare their way to a path, as in Christianity when Jesus says, "I am the Way," or as in Buddhism where there is the eight-fold path of the Buddha. 
 The notion is that through a religious initiation, the individual is set on a path which the initiator of the path - Buddha or Christ - has trod before them, and on which many other people since then have also trod. The people who have gone along that path create a morphic field - and not only those who established the initial path, such as Buddha or Christ, but all those who followed after them contribute to the morphic field, making the pathway easier to traverse. 
 
			In Christianity the 
			concept is explicitly stated in the Apostles’ Creed through the 
			doctrine of the "Communion of Saints." Those who follow the path of 
			Jesus are not only aided by Jesus himself but also by the communion 
			of saints - all those who have trodden the path before.  
 This mysterious flow of influence could be understood as the result of the process of successive schools of art tuning into the morphic fields of the earlier schools. (I am indebted to Susan Gablik, 1977, for this idea.) If we think of paintings as having morphic fields for their actual structures, we can then see how a kind of "building up" occurs through morphic resonance. A painting in a given school is created; other people see it. Every time a new painting in that school is made, it alters the field of the school. There is a kind of cumulative effect. 
 
			Just as an animal within a species draws upon 
			the morphic fields of the species and, in turn, contributes to those 
			same fields, a work of art produced within a school draws upon the 
			morphic field of the style of the school and contributes to it, so 
			that the style evolves.  
 
 
			
			 
			  
 We can think of different schools of thought and different areas of inquiry in science as having their own morphic fields. In fact, we speak about the field of physics, the field of biology, the field of geophysics, the field of metallurgy, and so on. It is my opinion that we could take literally the very use of the word field in this context. 
 Within each field of science there are sub-groups: in physics, for example, there are astrophysicists, quantum theorists, and so on, and sub-schools within those sub-groups. Entrants to each must go through the proper initiations; they must study and pass the right exams; and all have their own folklore, mythology, and founding fathers. This is essentially the insight of Thomas S. Kuhn in his great book, The Structure Of Scientific Revolutions (1970). 
 He says that science is a social activity, and that scientists are initiated into the professional group by the practicing group of scientists. These social groups are self-regulating and self-organizing, just like any other field structure. Scientists strongly resent it if outsiders come along and tell them how to run their outfit. Physicists, for example, feel that they are the best people to judge what should go on in physics. Even if governments want to regulate the science of physics to their own ends, then they do it with the help of physicists. 
 
			They have to set up committees 
			and grant-giving agencies on which physicists sit for peer group 
			reviews.  
 
			In his book, Kuhn uses the word paradigm in two senses, as 
			he makes clear in his second edition. The paradigm is not just a 
			conceptual way of looking at things, a model; rather, it is a shared 
			consensual view of reality upon which the professional group 
			depends. In each group, the members recognize those they consider 
			proper co-members of the professional group, and those whom they 
			recognize as outsiders - as not being within their group. This is 
			the social aspect of paradigm.  
 Both Gablik and Kuhn have pointed out that the concept of paradigm in the sciences is similar to the notion of style in art: paradigms have the kind of cumulative, developmental, evolutionary quality that characterizes styles in artistic traditions. Indeed, Kuhn went so far as to model his theory of scientific development on art history. Previously, science had been treated as if it were a purely rational activity based on the cumulative building-up of knowledge, completely independent of the social and professional dimensions taking place within the scientific process. 
 
			Kuhn demonstrated that the same kind of patterns 
			which were accepted by many historians of art were also at work 
			within the sciences.  
 
			A very powerful morphic 
			resonance is evolved by this way of doing things; and that is why 
			paradigm changes tend to be rather rare, and why they meet with 
			strong resistance.  
 
 
			
			 
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