CHAPTER 4
The strangest thing about this is that I remember nothing of falling asleep or waking up.
If they had not told me about it, I would have noticed nothing except that something had gone wrong with the time. All the information that I can remember so clearly, would normally have taken weeks to gather; I realized later that the exercise must have been completed in about one and a half hours. It is a casual demonstration of their power to manipulate the human mind, their power of "mind over matter" that will be explained in the second part of this book.
It confirms my
first feelings during the confrontation, the fear you feel when you
know you are helpless; even these steel walls cannot protect me from
this intelligent pressure group. Some kind of primitive instinct
warned me. I wonder if my participation in this meeting was as
voluntary as they would have me believe. The mental pressure that
was put upon me, especially in the second part of the conversation,
certainly gave me my doubts. Now, after many years, the doubts have
gone.
No person or situation has exerted any kind of pressure to influence my decision in whether or not to publish the information. Having completed this note, I will continue with the real purpose of this book, and relate the information that has been burned into my memory. During this, I will ignore the dialog form, and concentrate more on the efficiency of reporting.
The subject is the further development of the Iargan race and in particular the birth of the super-culture. Their definition of the word civilization or culture has nothing to do with the scientific or technological development level, but with the manner in which the community takes care of the handicapped or weaker beings.
(This is exactly as the Danish, clairseeing editor
Martinus (1890-1981) says: A civilizations stage of evolution, can be
measured in how the society takes care of the weak and sickly ones
in the society.)
It is of the
greatest importance not to forget that this situation was only
possible due to the fact that the reincarnation selection exists on
Iarga which roots out the adepts of evil. This is therefore an
environment which is protected from the influence of evil. This
development is also of importance to us, because we will also
develop a super-culture one day. This Earth-adapted version will
develop during the approaching kingdom of peace and justice after
the "resurrection" selection.
The produce is then shared by simply controlling the individual use or consumption. The aim of this system is to free the individual as much as possible from non-creative, servile work. As soon as the production reaches a point of overproduction, the work day is shortened which allows more time for creative pursuits.
The importance that they place in creativeness deserves some explanation.
They see the purpose of their existence as threefold.
This resulted in a dominant interest in freeing themselves for individual creativity.
With this idea in mind, they created a highly efficient, almost completely automated production system. Next, they sought to reduce the consumption of goods and services by appealing to the self-discipline, in order to attain a reduction in production or an increase in population. Eventually they reached the situation in which everyone, without exception, had only to work for one day in the week on the direct production process.
The voluntary constraint of consumption and the
equality of the non-creative work output, lead automatically to the
equalization of incomes. People waive their right to consume and
their needs decrease.
This is the welfare state without discrimination, that takes care of
you from the cradle to the grave, that we, lacking the selection,
can never create on Earth. (never?? - Martinus means it will take
long time - at least 500 years to reach this level here on Earth.)
This can only work as long as there are none of the types that always want all of the glory for themselves, and this makes great demands on the leaders of any creative project. This is obviously only a part of their battle to eliminate the spiritual or immaterial backlog. It is impossible to describe this comprehensive system of caring for each other, simply because it is so far removed from what we regard as possible.
I
think that it may be impossible for many people to imagine such a
situation, and I can perhaps better confine myself to a description
of some of the end results. A super-culture can be recognized by its
unbridled creative power. It is unbelievable what a dedicated group
can attain in a short time when no time has to be wasted on control
or supervision. It is the hey-day of science, technology, and art.
The central gardens in the house cylinders change into complete art exhibitions that attract a constant flow of visitors. Their designs especially, show their affinity with the creator and the universe. Half abstract art forms illustrate the details of creations beauty. A kind of religious art form. They are continually occupied, and demonstrate an activity that astounds the earthly observer.
This can also be said of the
speed with which the one discovery follows the other; this appears
to have no connection with the fact that they are highly
intelligent, but because they have the ability to tune in to cosmic
vibrations, the ancient knowledge of the creator.
It was a hub with a series of shafts, on which were mounted about ten spooked, wheel-like objects.
A man and a woman were, as
artists, engaged in attaching colored globes to the ends of the
spokes; beside them, a man addressed the gathering. Wide-eyed, I
observed this colorful gathering that was engaged in a remarkable
kind of "touching" ceremony. Left, right, and center, all were lying
or sitting in, as far as we are concerned, intimate poses; looking
and listening. This took place in the early stages of their super
culture.
The orator in the middle of the group concentrated their thoughts on the object by means of questions, the purpose being that everyone present would feel the answer at the moment of the ecstatic climax. The contemplation training is aimed at the development of a strong collective thought power, a matter controlling power, through mutual concentration on a visual object. In this case a kind of electronic fire that had to be synchronized by their power of thought.
The orator had ended his questions, and now made a gesture in the direction of a number of musicians seated at some long, low instruments. These placed their fingers on the ten keys of the instrument and began to press them in and out in a certain rhythm, and at the same time, move them from left to right and back again. Each set of five keys could move independently, a sort of movable piano keyboard. The gathering reacted immediately, they sat straight up with their legs crossed and their hands on the shoulders or knees of the person next to them.
Seven women dressed in transparent blue
veils stood up from the front row and formed a ring around the
central object. The artists that had decorated the object seated
themselves at another piece of equipment that also had keys, fitted
in discs that could tilt as well as turn.
The globes
at the end of the spokes began to throw off sparks as if they were
glowing hot. Then the sparks began to form a haze and sprung over
between the wheels until the whole two meter high object was
transformed into a turbulent ball of fire. The intensity of the
light increased, and the original bluewhite color changed into a
fantastic color composition of boiling waves of individual spots of
orange, red, yellow, green, blue, and white.
Their transparent veils and their glass-like skin seemed to absorb the light flashes to such an extent that it seemed as if they themselves were emitting a constantly changing glow of light. The haughty concentration with which they performed their dance made them seem like supernatural beings, elevated far above the material.
The gathering watched the fire dance in deep concentration, moving slightly to the beat of the music. The turbulence and flashing of the globes began to take on a more regular pattern; suddenly, the lights formed into colored bands and the flashing ceased. At that moment a shock ran through the gathering, they seemed to increase their concentration on the fireball. The music stopped and the dancers stood like statues. Deadly silence. Suddenly, the flashes of light began again, but this time in the colored bands, and in a controlled pattern of movement.
This was the supreme moment at which
their powers of contemplation manifested themselves invisibly.
The impression that all this made on me was almost destructive. I was in such a state of confusion that I nearly lost control of myself and was at the point of fainting. Only later did I realize why I reacted in this way. I was a real witness to the happening. It wasn't the sight of all this that so disturbed me, but the direct experience of their will power.
Their thoughts had to control the confusing
electronic fire, and they had to transmit exceptionally strong
impulses which only served to confuse me!
They state that
the creative power of man is not personal, but something that he has
borrowed for a time. It is a reflection of the ever present
creativity field that I call the Omni creativity. Totally, it was
the power of the creator, and as such, almighty. Now it is available
as an impersonal consciousness component that waits for the
intelligent races to use it.
One who has reached this level, is capable of Omni-creative contacts without the aid of a group, and then has the ability of final contemplation. They describe the contemplative climax as the feeling as if the skull opens and the thoughts take wing into an unbounded space. It can also be described as the mind entering the presence of the blinding light of truth and cherishing warmth.
The physical
sensation is described as a moment of shuddering ecstatic happiness.
No words can fully describe the sensation of coming face to face
with the source of all knowledge and wisdom, the being will then
approach a condition of all-knowledge and all-wisdom through
multiple repetitions of contemplative contacts.
The reason for this premature explanation (it really belongs in the second part of this book) is to give the reader some idea of how the Iargans obtained the knowledge of the creation plan in which they instruct others. It can also serve to aid the understanding of the Iargan cycle of evolution as a part of the identification process.
How the final contemplation
binds a race of billions of beings, who differ little from us, into
a homogeneous group that knows only one goal; the perfection of
their society by mutual love so that the whole race, including the
slower ones, is capable of taking part in the omni-creative
integration process.
For the rest of the identification procedure, I refer you to the second part, because it is impossible to separate it from the explanation of the plan of creation. The real reason for their visit was, as has been said, the planting of information, describing the future of the Earth and the reason for the external interference that will disturb the authority and sovereignty of the human race.
This information has been placed in the second part of this book and, in this, has misplaced the sequence of the original conversation. The next two chapters clearly belong in the introduction and contribute to the identification, they therefore belong in the first part, according to my feelings. I have chosen to use the dialog form again because this conforms with the reality.
It is in fact the farewell ceremony which took place when I awoke from my "trance".
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