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			 Native American Lore
 Translated from the Tewa by Alfonzo Ortiz
 
			  
			Long ago two Summer 
			People society members—a father and his son—lived in one of the Hopi 
			villages. Whenever offerings were made to the supernaturals, the son 
			would always say.  
				
				"I don't believe that these things are ever taken 
			by the gods. I wonder if there really are any gods." 
				 
			At last he 
			decided.  
				
				"I'll find out the truth. I'm going to
				the Lower Place to 
			see if the gods really are there, and if they're all they're 
			supposed to be."  
			Explanations from his father and other religious 
			leaders that the gods do not take the offerings themselves, but only 
			the essence of the core, did no good. He set out on his way. 
 After he had traveled for several days, the Silent One, a
			Tewa rain 
			god, appeared to the young man. The Silent One asked:
 
				
				"Where are you 
			going?" 
 "I am going to the Lower Place to look for the gods."
 
 "Even if you travel until you grow old, you will never get there," 
			the Silent One replied. "The Lower Place is too far for you to 
			reach. Go no further, and do not doubt the existence of the gods."
 
			After saying this, the 
			Silent One turned himself into his 
			supernatural form and then back into a man again. The youth was 
			frightened and impressed, but he could not let the rain god deter 
			him. He insisted on continuing his journey. 
 After the young man had traveled further, the Deer-Kachina-Cloud god 
			appeared, also in human form. Again the youth did not recognize him 
			as a god, and again the god scolded him and urged him to go back.
 
				
				"I 
			have horns," the god said, "and I am the gamekeeper of your people."
				 
			Whereupon he also transformed himself into his supernatural form and 
			then back to a man. Despite these warnings, the youth insisted on 
			going on.  
				
				"Snake Village is closer than the 
				Lower Place, and that is 
			as far as you can go," said Deer-Kachina-Cloud. "After visiting 
				Snake Village you must return to your people."
				 
			Reluctantly the young 
			man agreed to this.
			When the youth had gone another short distance, 
			Star-Flickering-Glossy Man appeared, dressed in the feathers of many 
			birds. He warned the young man again:  
				
				"You can go only to 
				Snake 
			Village, no further. The snakes will try to bite you, because you 
			are a doubter. Use this herb on them. In the middle of the village 
			lives the governor of the snake people, and you should go there 
			right away. The snakes are also spirits who can change themselves 
			into people."  
			When the youth reached the village, the snakes did indeed try to 
			bite him, but he spat the herb in their direction and they 
			retreated. He reached the snake governor's home unharmed and was 
			received kindly, though the governor also warned him not to proceed 
			further. 
 The snake governor had two beautiful daughters, who treated the 
			youth so well that he slept with one of them that night. The next 
			day as he prepared to start on his journey home, the governor 
			offered him his choice of the two daughters to take with him. He 
			chose the one he had slept the night with.
 
 Next the governor told him to make piki, ceremonial bread, in white, 
			yellow, red, and blue, and to scatter it, on his return, before a 
			mountain north of his village. After he had made the piki, he and 
			his wife began their trip in the company of some of the snake 
			people, who went with them for a part of the way.
 
 So great was the distance that the young man's wife had become 
			pregnant and was due to give birth any day by the time they reached 
			the Hopi village. On their way the young man had already scattered 
			the piki before the mountain in this order: white, yellow, red, and 
			blue. Immediately four bands of these colors appeared across the 
			mountains. They were intended to be used by the Hopi people, and so 
			they have been ever since:
 
				
					
						
						
						the red for painting pottery
						
						the yellow 
			and red for painting moccasins
						
						the blue (or green) for painting 
			their bodies 
			When the couple reached the foot of the mesa, the wife said she 
			would remain there until he returned. She told him, however, that no 
			one must touch him and he must touch no one until he came back to 
			her. When he climbed to his village at the top of the mesa, the 
			young man told his people to take him to the kiva, to build a large 
			fire there, and to gather the whole village. As was expected of him, 
			he told his whole story from the time he set out to the Lower Place. 
			This took the whole of the night. 
 The following morning as he walked down to the bottom of the 
			mountain to take his wife some food, he met a woman with a water jar 
			coming up. She was a former lover of his, and without warning she 
			ran to him and embraced him. When he reached his wife, she already 
			knew what had happened. Weeping, she said: "You don't care for me, 
			so I shall leave and return to my people. But your child will always 
			remain with you." She gave birth to a baby who, like herself, 
			could 
			change into a snake at will. Then she departed.
 
 That's why the Hopi's dance the snake dance today. The dancers are 
			the descendants of the child born to the young man and his snake 
			wife.
 
 
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