| 
			
 
 
  by Goro Adachi
 May 19, 2003
 from
			
			
			Etemenanki Website
 
			  
			Open Sesame!
 What intensifies the darkness surrounding the Martian '9/11 echo 
			window' around Sept. '03 is the fact that the window preceding 
			'9/11' in the 2-year pattern was around Sept. 1999. (In other words: 
			2003 - 2 - 2 = 1999.)
 
			  
			Well, this just happens to be a time specified 
			in the infamous prophetic quatrain of 
			
			Nostradamus (X-72): 
			  
			The year 1999 seven [or 'sept'] months,From the sky will come a great King of terror:
 To bring back to life the great King of Angolmois,
 Before after Mars to reign by good luck
 
 
			Notice how eerily applicable these four lines are to the 'Endgame' 
			issues we've been discussing.  
			  
			Besides the first line, there is:  
				
					
					
					an allusion to the (Osirian) resurrection theme in line 3
					
					line 4 
			specifically mentioning Mars
					
					the same line's 'good luck' 
			alluding to the swastika (symbolic of peace/good luck) which in turn 
			is now linked with Project Prometheus (associated with Mars)
					
					the 
			term 'Angolmois' in line 3 relatable to Angoulême, a name given to 
			the NYC region in the early days of the New World (i.e. the target 
			of the 9/11 attacks)
					
					line 4's 'before after Mars' evoking 
			the 2-year 'Martian' cycle (Sept. 1999 + 2 yrs = Sept. 2001) 
			(I was actually already onto most of these symbolic overlays back in 
			1998, as can be seen from the main graphic - linked below - I 
			created for the old 
			
			1999: Final Solution article.) 
			 
			Most intriguing, however, is the phrase 'king of terror' appearing 
			in line 2. As discussed in my 
			Labour of the Sun article, we can view 
			it as an allusion to Osiris, called 'Lord of Terror' in the Egyptian 
			'Book of the Dead'. But there is also a clear connection to the 
			Great Sphinx: this 'Martian'/'Osirian' monument has the Arabic name 
			Abul-Hol, meaning 'Father of Terror'.
 And since the Sphinx is an embodiment of Mars, the whole line - 
			'from the sky will come a great king of terror' - can be transformed 
			into 'from the sky will come Mars', which is a perfect description 
			of what will take place this summer during the '9/11 echo window'!
 
  Now, let's go back to the ancient 'House of Sokar'/'Tomb of Osiris' 
			depiction. Notice how the 'tomb' is guarded by two sphinxes, called 
			'Aker', recognized as a key feature of the Osirian tomb (the 'Fifth 
			Division of the Duat').
 
 Because the sphinx/lion/Leo is traditionally considered solar in 
			nature (the Sphinx is identified with Horus and Atum, both 
			sun-gods), we can interpret the Aker double-lion as signifying 'two 
			suns'. And 'two suns', in turn, would signify 'two years' because 
			obviously a year corresponds to Earth's orbit around the sun.
 
 So what we have here is another nice tie-in with the 2-year cycle 
			motif. (Note: the twin towers destroyed on 9/11 and the issue of 
			cloning [i.e. 'doubling'] are also part of this 'twin' pattern.)
 
 Next, here is what Collins points out about the Osirian 
			Duat-underworld tomb and the Aker-lions:
 
				
				We quickly discover... that the duat [underworld] has two gates to 
			the outside world - an entrance in the symbolic mountain of the 
			west, where the sun sets, and an exit on the eastern horizon, where 
			the sun rises in the morning. Each is guarded by the reclining lion 
			or sphinx known as an aker... Together, the double aker, or 
				akeru, 
			was depicted in illustrations either as two lions back to back or as 
			a single beast with two heads.[17] 
			So the Aker double-sphinx is to be associated with sunrise on the 
			eastern horizon and sunset on the western horizon.
 On around August 23, 2003, just four days before Mars' closest 
			approach to Earth, the sun will rise in conjunction with the star 
			Regulus - the chief star of Leo, the constellation of the 
			lion-sphinx. And as this takes place on the eastern horizon, we 
			simultaneously see a major light setting on the western horizon 
			exactly 180° away from the rising sun. It's none other than Mars, 
			shining more brilliantly than any other time in recorded history!
 
 Since the Red Planet and the Sphinx are interchangeable, what we 
			have here are two celestial sphinxes 'guarding' both sides of the 
			sky. Or in other words, we're seeing a celestial manifestation of 
			the Aker-lions!
 
			 
			The symbolic meaning of this is quite clear: the gates between this 
			world and the 'Otherworld' will be opened this summer. Or to use 
			another terminology, Osiris will be resurrected a la line 3 of X-72.
 Making this even more compelling is the fact that the sun-Regulus 
			conjunction is something specifically associated with the birth of 
			Hours, which in turn is symbolic of Osirian resurrection (as Horus, 
			Osiris' son, is born concurrently with the death of Osiris in 
			mythology).
 
			  
			As author Adrian Gilbert notes: 
				
				In Egypt, Horus' birthday was celebrated when the star Sirius made 
			its first appearance at down, heralding the annual flooding of the 
			Nile. Yet what had not been remarked upon, as far as I knew, was 
			that in Old Kingdom times the sun-Regulus conjunction occurred 
			precisely at this juncture... Horus was not directly connected with 
			Sirius but rather with Regulus, the principal star of Leo.[18]
 The idea that the birth of a king should ideally take place when the 
			sun was conjunct with Regulus seems to have been a common conception 
			throughout the Middle East.[19]
 
			Gilbert even goes on to associate this celestial conjunction - which 
			he calls 'Regulus day' - with the Aker-lions: 
				
				The [Great Pyramid] itself was a 'horizon' over which the sun would 
			pass in such a spectacular manner on Regulus day. 
			The name Akhet [= 'horizon'] is also clearly linked with another 
			important symbol in the religion of the ancient Egyptians: the 
			double lion or aker. This symbol shows two lions, one facing east 
			and the other west.[20] 
			  
			As if this wasn't enough, the 'Regulus day' conjunction of 2003 
			(August 22-23) will be extra special because the sun-Regulus 
			alignment will be joined by not one but two more planets, Jupiter 
			and Venus. In other words, we'll have a ridiculous 
			Sun-Regulus-Jupiter-Venus-Earth alignment on the eastern horizon 
			while 'from the sky will come a great king of terror' called Mars on 
			the western horizon! (if needed, click F5 in your keyboard to see an animated 
			gif image below.) 
			 
			The significance of the Mars positioning is also amplified by the 
			fact that it will be in the constellation Aquarius. In the 'Time 
			River scheme', Aquarius happens to correspond to the region of Iraq, 
			i.e. the 'land of Mars' and the Osirian Underworld! 
			 
			The Aquarius-Iraq connection is enhanced by the fact that:  
				
					
					
					Aquarius is traditionally represented by a man pouring water from a 
			jar, closely resembling the ancient depiction of Enki (the Sumerian 
			Osiris-Saturn), the god of the Tigris-Euphrates in Iraq (see 
			illustrations below); 
					
					the ancient Egyptians identified Aquarius 
			with Hapi, the personification of the Nile inundation generated by 
			two of the four 'Eden rivers', the other two being the Tigris and 
			Euphrates as explained earlier; 
					
					Aquarius is sometimes[21] 
			equated with the phoenix embodying the Osirian resurrection. 
			  
			Aquarius                                                                
			Enki 
			So all this together strongly indicates that the summer of 2003 will 
			see the 'birth of Horus' and/or the 'death of Osiris'. In the 
			context of Christian/Gnostic tradition, the 'birth of Horus' 
			signifies the 'birth of a Christ' (Jesus as well as his offspring).
 
 Hence we have come full circle: the Rennes-le-Château mystery 
			involving Poussin's Et in Arcadia Ego is widely believed to concern 
			the secret of Jesus leaving behind descendants through Mary 
			Magdalene.
 
			
			 
			Indeed, it's very likely that the enigmatic shepherdess seen in 
			Et 
			in Arcadia Ego is Mary Magdalene herself - and she does appear she 
			could be pregnant. And the tomb, the central feature of the 
			painting, is likely that of Jesus. As 'Osiris' dies, 'Horus' is 
			conceived, as per ancient Egyptian mythology. Furthermore, 
			
			Rennes-le-Château - supposedly the general region depicted in the 
			painting - is located in southern France, the same area Mary 
			Magdalene supposedly went sometime after Jesus' crucifixion 
			according to Gnostic tradition.
 In the remarkable book The Tomb of God by Richard Andrews and 
			Paul Schellenberger, it is plausibly theorized that Et in Arcadia Ego 
			along with other paintings implicated in the mystery is collectively 
			a coded 'treasure map' pinpointing the 'tomb of God', i.e. 'tomb of 
			Jesus'. This is, of course, analogous to the 'tomb of Osiris' or 
			'House of Sokar'.
 
 But clearly, the 'Tomb of Osiris' par excellence is the Great 
			Pyramid - the grandest manifestation of the 'House of Sokar'. Hence 
			Poussin's tomb in the painting would have to be considered a 
			'version' of the Great Pyramid.
 
 Farfetched? Not really. Check out the following, 'leaked' from my 
			infamous 'black project'...
 
 First, Andrews and Schellenberger discovered that the 'Rennes 
			geometry' encoded in Et in Arcadia Ego was designed to utilize a 
			dark band area at the top of the painting normally covered by a 
			frame.[22] And I followed this format as well.
 
 What I did was quite natural. Following up on the tomb-pyramid 
			connection, I simply brought the two together - by superimposing the 
			Great Pyramid's cross-section diagram over the painting.
 
 And then came the revelation.
 
			 
			Needless to say, they just happened to fit perfectly as if by magic! 
			Seems almost too good to be true, but this is very real. Simple, yet 
			implications so 
			 profound... 
 So profound indeed: notice how the shepherd in red behind 'Mary 
			Magdalene' now points with his index finger at the pyramid's 'King's 
			Chamber', the supposed burial room for the Egyptian king, i.e. the 
			symbolic 'tomb of Osiris'!
 
			  
			And of course the chamber is positioned 
			right at the center of the tomb in the painting - as if to make the 
			point that 'this is the tomb of Christ' (and vice versa).
 Further, it was believed in ancient Egypt that the king becomes 
			Osiris upon death and in effect 'ascends' to Orion (the celestial 
			Osiris).
 
			  
			Correspondingly, the southern 'star shaft' emanating from 
			the same King's Chamber was designed to align with Orion during the 
			Pyramid Age - thus nicely confirming that the King's Chamber does 
			represent the 'tomb of Osiris'! 
			 
			This was actually a little more than what I had planned to reveal in 
			this article, but there it is.
 
 
			
			The Sum of All Fears?
 
 Okay, so the overall message is that an Osirian resurrection event 
			will take place soon... But what does that mean exactly? As far as I 
			can tell at this time, it appears we're in for a potentially very 
			dark event. Again, the key here is the idea of the 'stargate window' 
			of summer 2003 being an 'echo' of 
			
			9/11.
 
 Looking back, it was perhaps prophetic that Hoagland kept referring 
			to the Cydonia IR picture as his 'H-bomb'. In a similar vein, the 
			recent revelation of Project Prometheus - envisioning a nuclear 
			propulsion system to help man go to Mars - was seemingly another 
			omen.
 
 Nukes and Mars... Something about this combination that is somehow 
			relevant to our immediate future.
 
			 
			It is certainly curious that Japan, the first and only nation to be 
			nuked - twice - in history is sometimes called 'the Land of the 
			Rising Sun'. It can easily be rephrased as 'the land of Horus', 
			'land of the Sphinx', or 'land of Mars'. (Have you seen the Japanese 
			national flag?)  
			  
			And if nuclear explosions are to be seen as 
			artificial 'little suns', the two atomic bombs dropped there would 
			even correlate with the 'double-lion'/'two suns'/'2-year cycle' 
			theme. Further, it is interesting that the Sphinx/Aker is a form of 
			Atum, which conjures up 'atom'.
 We also find that the historic Hiroshima bombing (Aug. 6) took place 
			on the day of Sirius' heliacal rising - i.e. the celestial event 
			that used to herald the symbolic resurrection of Osiris! And then 
			there is the intriguing fact that 'Hiroshima' means 'wide island' 
			and 'Nagasaki' means 'long foreland'. Switched around, we would have 
			the phrase 'Long Island', which of course is a key part of NYC, the 
			city attacked twice on 9/11.
 
			  
			It just happens that Long Island's 
			latitude exactly matches Cydonia's (~40.8 N)!  
			  
			And of course, 
			Manhattan - the heart of NYC - relates to 'Manhattan Project' that 
			created the atomic bomb.
 What does all this mean for the coming 'stargate window'? Obviously, 
			one of the possible interpretations is that we're looking at some 
			kind of 'nuclear event'. Metaphorical or literal - we don't know. 
			But according to the pattern whatever will happen is likely to 
			involve the United States and/or Iraq (which is a 'land of Mars' 
			like Japan).
 
 As gloomy as this projection is, I'm focused more on another 
			scenario that is quietly emerging for the 'stargate' window.
 
			  
			It can 
			be be quickly expressed by this 'sign': 
			 
			Somehow, there seems to be a connection between the coming Osirian 
			resurrection and... well, the Third Reich, the 'Beast'. You could 
			say that we're talking about an 'anti-Christ', to use a Christian 
			term.
 Politics and governmental conspiracy stuff have never been a big 
			subject discussed here on the Etemenanki website. The current world 
			situation, however, is now making it necessary for me to delve into 
			that area.
 
 The excerpt below from Robert Bauval's Secret Chamber hints at what 
			I plan to discuss in Endgame V:
 
				
				In 1998 rumors were circulated on the Internet and in esoteric 
			magazines that ex-President of the United States George Bush was 
			somehow involved in the millennium activities that were planned for Giza. It seems that... George Bush was 'committed to ushering in the 
			next millennium at the Great Pyramid of Cheops at Giza. Conspiracy 
			theorists began to see links with this... and an ultra-elitist 
			fraternity to which Bush belonged.    
				This fraternity, which goes under 
			the name of 'Skull and Bones', is based at Yale University. ...The 
			name 'Skull and Bones', for those familiar with esoteric symbolism, 
			conjures up the 
				
				Order of the Freemasons (as well as the Knights 
			Templar) who employ the same insignia... It is recognized that the 
			Masonic ideal is the establishment of a 'New World Order', the 
			latter said to be symbolized by a glowing capstone on top of a 
			pyramid, as can be seen on the American one-dollar bill.    
				Bush 
			himself has been a great advocate of a 'New World Order' during his 
			presidential career'.[23] 
			  
			The 'All-Seeing Eye' - the capstone of the pyramid - is an 
			unmistakable allusion to the Osirian resurrection. Hence it could be 
			plausibly theorized that the 'New World Order', now morphed into 
			'Pax Americana', will play a big part in the coming storm. (It is 
			worth noting that it was Skull and Bones members who oversaw the 
			creation and deployment of the atomic bomb during World War II.)[24]
 Let me quote another passage from Secret Chamber:
 
				
				It was also pointed out that, whether by coincidence or design, 
				George Bush Jr. announced his candidature for the presidency on 2nd 
			March 1999, the same day that Dr Zahi Hawass presented, on a much 
			hyped FOX TV special, the newly found 'Tomb of Osiris' to the 
			American public.[25] 
			I sense a big storm coming... 
			 
 
 
 
			References 
				
					
					[17] Collins, 
					
					Gods of Eden, p.191.[18] Adrian Gilbert, Signs in the Sky (London: Bantam Press, 2000), 
			p.97.
 [19] Ibid., p.132.
 [20] Ibid., p.142.
 [21] Graham Hancock, Heaven's Mirror (New York: Crown Publishers, 
			1998), pp.320-1.
 [22] Richard Andrews and Paul Schellenberger, The Tomb of God (New 
			York: Little, Brown and Company, 1996), pp.190ff.
 [23] Robert Bauval, Secret Chamber (London: Century, 1999), 
			pp.xxiv-v.
 [24] Alexandra Robbins, Secrets of the Tomb (New York: Little, Brown 
			and Company), p.185.
 [25] Bauval, Secret Chamber, p.xxv.
 
			  |