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				Maya - Mexico
				 
				
					
					
					Mud men 
					from the Popol Vuh 
					
						
							
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					The Popol-Vuh, the 
								sacred book of the Maya, contains 
					within its creation story a tale of the destruction of the 
					first beings by a flood. This flood differs from others in 
					that it is not a punishment, but rather a remedy for a 
					faulty creation. The Feathered Serpent first created man 
					from mud. These creatures were a failure; they couldn't see, 
					they dissolved when it rained, etc. So the god broke them up 
					and tried again.  
					  
								
								"This time he made men out of wood. They were better than 
					the mud-men. They could walk and talk; they had many 
					children, built many houses, but they had no minds nor souls 
					nor hearts. 
								 
								  
								The Feathered Serpent was disappointed with what 
					he had created, so he sent a great flood to cleanse the 
					earth of his mistake.  | 
								
								 
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					 Myth 2  
					 
					 In the beginning was only Tepeu and Gucumatz
					(Feathered 
					Serpent). These two sat together and thought, and whatever 
					they thought came into being. They thought earth, and there 
					it was. They thought mountains, and so there were. They 
					thought trees, and sky, and animals etc, and each came into 
					being.  
					
					  
					
					 But none of these things could praise them, so they 
					formed more advanced beings of clay. But these beings fell 
					apart when they got wet, so they made beings out of wood, 
					but they proved unsatisfactory and caused trouble on the 
					earth. The gods sent a great flood to wipe out these beings, 
					so that they could start over. With the help of Mountain 
					Lion, Coyote, Parrot, and Crow they fashioned four new 
					beings.  
					
					  
					
					 These four beings performed well and are the 
					ancestors of the Quich.  
				  
				
				
				 
				
				
				Pueblo
				 
				
					
					Somewhere to the 
					north the first humans climbed out of a hole in the earth 
					into the sunlight. The underground place from which they 
					came is called Sipapu. This is a sacred place. 
					The Great 
					Spirit protected them as they wandered the land.  
					
					  
					
					At long 
					last they came upon a place they knew was meant for them. 
					They settled there.  
				 
				 
				
				  
				
				Nuu-chal-nuth 
				
					
						
							
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								The great spirit Quatz created woman, whom he left alone in the dark forest. 
					The woman lamented day and night, until Quatz took pity and 
					appeared to her in a canoe of copper, in which many handsome 
					young men were rowing. 
								 
								  
								One of the rowers told her it was the 
					great spirit who was supplying her with the companionship 
					she craved. At these words she cried the more, and as the 
					tears trickled down, they fell to the ground. 
								 
								  
								Quatz 
					commanded her to look, and she saw with amazement a tiny 
					child, a boy, entirely formed. 
								 
								  
								Her firstborn son became the 
					ancestor of the taises(?), while from her other sons the 
					common people are descended.  | 
							 
						 
					 
				 
				 
				
				  
				
				 
				
				  
				
				
				Tiahuanaco 
				
					
					In the 
					beginning, Lord Kon Tiki Viracocha, prince and creator of 
					all things, emerged from the void and created the earth and 
					the heavens. Then he created animals and a 
					
					race of giants 
					(who lived in eternal darkness as he had neglected to create 
					a source of light).  
					
					  
					
					These beings enraged the Lord, and he 
					turned them into stone.  
					
						
							
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								Then he flooded the earth till all 
					was under water, and all life extinguished. In a new start, 
					he created the sun, moon, and stars. Now he created new 
					birds and animals. Again he decided to form human beings: 
					these he fashioned from stone.  
								
								  
								
								Some he painted with long 
					hair, some with short hair; some women he painted as 
					pregnant, some as caring for the babies fashioned beside 
					them; and on each figure he painted the clothes they would 
					continue to wear.  
								  
								
								Finally he divided the stone figures into 
					groups, giving each group its own language, its own food to 
					grow, and its own songs to sing. 
								 
								  
								Then he buried all the 
					figures in the earth to await his command that would bring 
					them to life. Viracocha then summoned his helpers and told 
					them to go forth on the earth in different directions to 
					prepare places for the new humans to occupy.   | 
								
								 
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					Viracocha then 
					traveled the land, calling each group into life as he passed 
					the land they were to populate, whereupon he taught them how 
					to live on the land selected for them.  
					
					  
					
					(There is a 
					continuance of this story that has Viracocha and his 
					companions, when finished with their teachings, walking on 
					the waves of the ocean as they disappear toward the setting 
					sun. Viracocha means "foam of the sea".)
					 
					   
					
						
							
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								Tiahuanaco, located on Lake Titicaca in Bolivia, was a major 
					religious center of the Huari-Tiahuanaco empire. During the 
					Middle Horizon (AD 600-1000), the Huari military 
					organization dominated the Peruvian Andes, and eventually 
					linked up with the formidable priestly apparatus at 
					Tiahuanaco to create a powerful theocratic state.  
					 
					The symbolic relief carvings on the Gateway of the Sun at 
					Tiahuanaco, often strikingly well-preserved in slabs of 
					volcanic andesite, were first reported in detail by Ephriam 
					G. Squier in his 1877 book, ÊIncidents of Travel and 
					Exploration in the Land of the Incas.  
					 
					Squier describes the tiers of winged condor-headed and 
					human-headed figures kneeling toward the central sun god 
					figure "as if in adoration, each one holds before him a 
					staff or sceptre..." ÊThese winged figures represent the 
					heads of condors, tigers, and serpents. The central figure 
					in the Sun Gateway, holding a pair of staffs, is probably 
					linked to the much earlier Chavin Staff God (from ca. 
					800-300 BC).  
								  
								
								Squier also notes that the islands of Lake Titicaca were 
					traditionally thought to have produced the founders of the 
					Inca Empire. 
								 
								  
								This appears to be upheld by modern 
					archaeology, which shows that during the Huari-Tiahauanaco 
					period, centralized state organization occurred with 
					regional storehouses, roads, and redistribution of resources 
					and local populations, all preceding the much better 
					documented Inca empire by hundreds of years.  | 
								
								 
								  
								
								Winged figures on the side of the Gateway of the Sun at 
					Tiahuanaco  | 
							 
						 
					 
				 
				 
				  
				  
				
				Aztec
				 
				
					
					
					Myth 1 
					
						
							
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								Quetzalcoatl, the light one, and Tezcatlipoca, the dark one, 
					looked down from their place in the sky and saw only water 
					below.  
								  
								
								A gigantic goddess floated upon the waters, eating 
					everything with her many mouths.  
								  
								
								The two gods saw that 
					whatever they created was eaten by this monster. They knew 
					they must stop her, so they transformed themselves into two 
					huge serpents and descended into the water.  
								  
								
								One of them 
					grabbed the goddess by the arms while the other grabbed her 
					around the legs, and before she could resist they pulled 
					until she broke apart. Her head and shoulders became the 
					earth and the lower part of her body the sky.  
								  
								
								The other gods 
					were angry at what the two had done and decided, as 
					compensation for her dismemberment, to allow her to provide 
					the necessities for people to survive; so from her hair they 
					created trees, grass, and flowers; caves, fountains, and 
					wells from her eyes; rivers from her mouth; hills and 
					valleys from her nose; and mountains from her shoulders. 
								 
								  
								
								Still the goddess was often unhappy and the people could 
					hear her crying in the night.  
								  
								
								They knew she wept because of 
					her thirst for human blood, and that she would not provide 
					food from the soil until she drank.  
								  
								
								So the gift of human 
					hearts is given her. She who provides sustenance for human 
					lives demands human lives for her own sustenance. So it has 
					always been; so it will ever be.  | 
								
								 
								  
								
								
								Quetzalcoatl  | 
							 
							
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								Tezcatlipoca  | 
							 
						 
					 
					
					 
					
					 Myth 2 
					 
					The mother of the Aztec creation story was called "Coatlique", 
					the Lady of the Skirt of Snakes. She was created in the 
					image of the unknown, decorated with skulls, snakes, and 
					lacerated hands. There are no cracks in her body and she is 
					a perfect monolith (a totality of intensity and 
					self-containment, yet her features were square and 
					decapitated).  
					 
					Coatlique was first impregnated by an obsidian knife and 
					gave birth to Coyolxanuhqui, goddess of the moon, and to a 
					group of male offspring, who became the stars. Then one day
					Coatlique found a ball of feathers, which she tucked into 
					her bosom. When she looked for it later, it was gone, at 
					which time she realized that she was again pregnant. Her 
					children, the moon and stars did not believe her story. 
					 
					
					  
					
					Ashamed of their mother, they resolved to kill her. A 
					goddess could only give birth once, to the original litter 
					of divinity and no more. During the time that they were 
					plotting her demise, Coatlicue gave birth to the fiery god 
					of war, Huitzilopochtli. With the help of a fire serpent, he 
					destroyed his brothers and sister, murdering them in a rage. 
					He beheaded Coyolxauhqui and threw her body into a deep 
					gorge in a mountain, where it lies dismembered forever.  
					 
					The natural cosmos of the Indians was born of catastrophe. 
					The heavens literally crumbled to pieces. The earth mother 
					fell and was fertilized, while her children were torn apart 
					by fratricide and them scattered and disjointed throughout 
					the universe.  
					 
					Ometecuhlti and his wife Omecihuatl created all life in the 
					world. Their children were:  
					
						
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							Xipe 
							Totec - The Lord of the Springtime   
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							Huitzilopochtli - the Sun god   
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							Quetzalcoatl - the Plumed Serpent   
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							Tezcatlipoca - the god of Night and Sorcery 
							  
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							Coatlicue - She of the Serpent Skirt   
						 
					 
				 
				
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