Grateful Acknowledgment

 

Grateful acknowledgment is made to the following publishers for permission to reprint excerpts from the following copyrighted works:

  • Helios Publications and Dr. Francis I. Regardie, for permission to use excerpted material from THE ART AND MEANING OF MAGIC, ©1971.

  • Thorsons Publishers Ltd. for permission to use excerpted material from THE MAGICIAN: HIS TRAINING AND WORK, ©1963.

  • Doubleday & Co., for permission to use excerpted material from THE COSMIC CONNECTION, by Carl Sagan and Jerome Agel, ©1973.

  • Doubleday & Co. for permission to use excerpted material from THE ROMEO ERROR by Lyall Watson, ©1974.

  • Harvest House Publishers, for permission to use information taken from UFO’S: WHAT ON EARTH IS HAPPENING, ©1975.

  • Indiana University Press for permission to use material excerpted from THE UFO CONTROVERSY IN AMERICA, by David M. Jacobs, ©1975.

  • Mark-Age MetaCenter for permission to use material excerpted from VISITORS FROM OTHER PLANETS, by Nada-Yolanda, ©1974.

  • Ministry of Universal Wisdom, for permission to use material excerpted from THE COUNCIL OF SEVEN LIGHTS, by George Van Tassel, ©1958.

  • Oahspe Publishing Association and Palmer Publications, Inc., Amherst, Wis. 54406, for permission to use material excerpted from OAHSPE, by John Ballou Newbrough, ©1882.

  • Prentice-Hall, Inc., for permission to use material excerpted from PSYCHIC DISCOVERIES BEHIND THE IRON CURTAIN, by Ostrander and Schroeder, ©1970 by Sheila Ostrander and Lynn Schroeder.
    G.P. Putnam’s Sons, for permission to use material excerpted from ALIENS IN THE SKIES, by John Fuller, ©1969.

  • Saucerian Publications, for permission to use material excerpted from FROM OUTER SPACE TO YOU, by Howard Menger, ©1959, 1967.

  • Ballantine Books, a division of Random House, Inc., for permission to use material excerpted from THE MAGIC OF URI GELLER, by James Randi, ©1975.

  • Ballantine Books, a Division of Random House, Inc., for permission to use material excerpted from UFO’S PAST, PRESENT AND FUTURE, by Robert Emenegger, ©1974.

  • Neville Spearman, Ltd., for permission to use material from THE SAUCERS SPEAK, by G. H. Williamson, ©1963.

  • Neville Spearman, for permission to use material excerpted from OTHER TONGUES, OTHER FLESH, by G. H. Williamson, ©1953.

  • The Viking Press, Inc., for permission to use material excerpted from SUPERMINDS, by John Taylor, ©1975.

  • Doubleday & Co., Inc., for permission to use material excerpted from URI: A JOURNAL OF THE MYSTERY OF URI GELLER, by Andrija Puharich, ©1974.

  • BBC Publications, for permission to use material excerpted from EINSTEIN: THE MAN AND HIS ACHIEVEMENT, edited by Whitrow, ©1967, 1973.

  • Leaves Of Grass Press, Inc., for permission to use material excerpted from SECRET OF THE ANDES, by Brother Philip, ©1961.

  • Prentice-Hall, Inc., for permission to use material excerpted from REVELATION: THE DIVINE FIRE, by Brad Steiger, ©1973.

Grateful acknowledgment is made to the following individuals for permission to reprint excerpts from the following copyrighted works:

  • Mr. Clyde Trepanier, for permission to use material excerpted from MAN, CONSCIOUSNESS AND UNDERSTANDING, VOLUME FOUR, published by Understanding of Detroit in 1962, ©1962.

  • Baird Wallace for permission to use material excerpted from THE SPACE STORY AND THE INNER LIGHT, published by the author, ©1972.

  • Mr. Walter Rogers, Jr. for permission to use material excerpted from his unpublished material sometimes called “The Brown Notebook,” copyrighted as of this date.

  • Mr. Dewey B. Larson, for permission to use material excerpted from QUASARS AND PULSARS, published by North Pacific Publishers, ©1971.

  • Prof. J. H. Bruening, for permission to use his letter published in Gray Barker’s Newsletter, Feb., 1976, ©1976.

  • Carla Rueckert, for permission to use material excerpted from VOICES OF THE GODS, unpublished manuscript, ©1974.

  • Dr. T. Lobsang Rampa for permission to use material excerpted from THE HERMIT published by Corgi ©1975.

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 Proem


A ufologist is a detective who is exploring the single largest mystery of our time. As he wends his way through the elaborate maze of red herrings, misinformation, cover-ups, fanatics, skeptics, true believers and nonbelievers, he may well find that his most valuable ally in his search is a good sense of humor. Or, as Groucho Marx said, “Either he’s dead or my watch has stopped!”
Don Elkins Carla Rueckert
Louisville, 1976

 

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