December 2, 2012
from BreakingAllTheRules Website
“The State has but one face for me: that of the police.
To my eyes, all of the State's ministries have this single face,
and I cannot imagine the ministry of culture other than as the police of culture,
with its prefect and commissioners.”
- Jean Dubuffet
The New World Order, designed around a functional police state that is encouraged by continuous popular cultural messages, is apparent to even the most avid establishment apologist.
Liberty and freedom, hardly ever mentioned in a positive light by the mass media, is a direct threat to the ruling class. The proliferation of degenerate behavior is lauded so that those who object to such conduct will be demeaned as outcasts of the decadent society. The imposition of a police state is necessary to coerce decent people into forced obedience.
Cultural celebrities and icons come and go, but their art often rings on for good or bad.
Political propaganda, embedded in media projects, has transcended subliminal messages and now emphasizes in your face brashness. The breakdown of the traditional value society is so complete, that what was once viewed as insulting political disinformation now passes as a promotion for a loyalist NWO drama.
One such Showtime production is the pathetic Homeland series.
Rachel Shabi offers her review assessment in the piece, Does Homeland just wave the American flag?
"Instead, Homeland presents a retuned version of the same unshakeable assurance that, even when things are really complicated, American values are the fairest, the most right and the best.
Sure, the series shows US forces doing terrible things: covering up a drone attack that kills civilians in Iraq; trigger-happy in a US mosque, leaving innocents dead there, too.
But these are presented as necessary acts in pursuit of far worse crimes. Homeland's core message is that the US means well, but sometimes has to do bad things; while the Arab and/or Muslim enemy doesn't mean well and hence does unfathomably bad things.
Not much of a progression really, is it?"
When the postmortem of the Patriotic Act era is dissected, the treason of intelligence community operations will be written in their full horror.
The police state glorified in Homeland episodes is meant to prepare the public for the next stage of centralized oppression. While cable or broadcast TV is so removed from Little House on the Prairie, today’s programming is designed to facilitate the psychological acceptance of the transition into a maximum lock down prison society.
In the essay, Mass Mind Control Through Network Television, Alex Ansary warns of the prison industrial complex.
The cutting edge of mind control has long included the use of music and lyrics that produce subconscious meanings. Now the fascist messages in street music indoctrinate not only the youth but target to reinforce the despotic aspirations of TSA flunkies.
The article, The Transhumanist and Police State Agenda in Pop Music, provides two examples of globalist messages disguised as performances by Rihanna and Beyonce.
Beyonce walks on stage with a bunch of men dressed in riot gear… the type of unit a police state would use to repress opposition during popular turmoil.
What are they doing in Beyonce’s performance? Contributing to permeate popular culture with police-state imagery."
In the follow-up account, you can read the description mentioned in this report.
Contrast this dark brute force portrayal, with an age of optimism and hope.
The peace and love themes in the music and political actions of John Lennon offer a rudimentary alternative to the grisly atrocities that the establishment commits routinely in the name of national security.
Gangster rap has little in common with All You Need is Love.
Rebellion of youth is natural, but resigned acceptance for submission to the police state is repression. The thirty-two years since his assassination has been one long road into oblivion.
What a long way away from John Lennon’s lyrics in the song Revolution.
Now, transition from the mental liberation of the Beetle era, and go back and examine the overt war crimes of the premier American despot, Abraham Lincoln.
Biographer and jingoism jezebel LBJ groupie, Doris Kearns Goodwin’s book, Team of Rivals: The Political Genius of Abraham Lincoln served as the backdrop of Steven Spielberg’s production of the recent released Lincoln film.
Alec Ryan writes in the American Renaissance:
The point of evaluating the worship adoration of the destroyer of the Republic with the authoritarianism of the newly re-elected president is to equate the despotism of both of their regimes.
The imposition of the police state is part of the master plan to enslave the inherent autonomy of free citizens.
The insidious popular culture strips the institutions of traditional constitutional protections and separations of powers by diminishing the will of sovereign citizens to fight tyranny. The goal of imposing savage dehumanizing ruthlessness seeks to spread the Sons of Anarchy mindset into positions of authority. The merging of law enforcement into the ranks of criminal organizations becomes a common occurrence in the police state environment.
Once upon a time, the peace officer maintained order and balance. Now law enforcement deems that natural rights are arbitrary and conditional on obedience to government dictates.
911 provided the excuse to inflict a "War of Terror" under the disguise of national security.
The Homeland program scripts that foster the ends justify the means are repugnant to every liberty advocate. Each day, the evolving police state is becoming more invasive and punitive.
A culture that glorifies jack booted thugs that order innocent citizens around as sinister terrorists destroys the essence of the nation. The New World Order essentially uses depressing indoctrination of the inevitability for submission to their mind game matrix.
The walking dead that accept a dependent society administered by bureaucratic goons, willingly tolerant a fate of bondage. Since texting is all the rage and the written language is sorely deficient, maybe the best way to communicate though the popular culture is to withdraw from the experience as much as possible.
Try one on one contact; you might be surprised with the results.