The Flying Crane Sylph of June 12, 2004
By
Ken Adachi
June 12, 2004
For readers viewing this page for the first time and who didn't see the notes I had written as an introduction to an article written by cbswork titled Conjunction to Solstice - June 2004 , I'll reproduce here only the relevant paragraph of that intro in which I allude to the Sylph shown here and how I came to photograph it.
"When the influx of Sylphs began a few months ago, DB contacted me by e-mail and wanted me to put him in contact with ZS Livingstone, as the Sylphs were telepathically telling DB that he should recognize ZSL's special relationship with them. We did so and soon afterwards, DB began posting pictures of Sylphs almost daily at his web site. Another fellow in Canada also started a web site devoted to chronicling the heavenly activities of these dedicated chemtrail munching workers (A unexpected event just took place here. As I was typing these words on the morning of June 12, 2004, I had to go to a local shopping plaza to pick up something and after parking the car, I was pleasantly surprised to see the biggest Sylph I've yet to see with my own eyes. It stood out alone, in an otherwise totally clear, blue sky. It was so big, I had to pan the camera and take two shots to get the whole image of the Sylph. I mentally said hello to him and thanked him for putting on such a grand show in our little town on such a bright, breezy, and sunny morning)."
I think it's interesting to note that this photo was taken on June 12, an astrologically significant date-the Summer solstice.
Here's two pans of the Sylph that I was refering to:
Left pan of camera
Right pan
I later opened up Photoshop and overlapped the two shots as best I could and butted the two frames together, so you could see the full width of the Big Sylph as I saw it. He was a magnificent specimen in all regards, a heart breaker with the lady Sylphs I'm sure:
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I went back to the same spot a couple of hours later just to see if he was still there, but he was gone. Maybe it was a photo op all along??
Update, June 16, 2004:
A few days after posting these shots, I was talking with ZS Livingstone on
the phone on June 15 and asked him if he had a chance to see the above photo
yet. He said he didn't see the photo yet, but got the psychic impression that
the Slyph was intentionally posing for me. He also said that the Sylph travelled
a long distance to show up for this photo. The next day, I received the following
e mail from him:
June 16, 2004
Subject: June 12 shot of sylph
From: "Zuerrnnovahh-Starr Livingstone"
Date: Tue, June 15, 2004 10:17 pm
To: "Ken Adachi" <Editor@educate-yourself.org>
Ken,
This sylph was really posing for you. It took on the shape of a Japanese flying crane, the same crane which is fashioned in paper, origami, to represent a prayer for peace. I remember seeing hundreds of thousands folded paper cranes made by school children and sent to Hiroshima annually.
This is the same sylph which has been photographed resting atop Mount Fuji and probably crossed the Pacific specifically to be photographed by you.
The sylph could have decided on any image, but chose a crane. The wispy clouds are like calligraphic brush strokes, also Japanese in theme.
Have you been having a lot of internet "hits" from Japan? Have you had any recent correspondence with someone from Japan?
The sylph tuned into you to check your itinerary, and may have read some of your remembered emails. Something important is probably in your email.
ZSL
Update, June 17, 2004
I was talking on the phone this morning with
Trevor
James Constable and I told him about the above picture. He told me that
he still had in his possession many original negatives of Sylphs which he
had photographed using infrared film during the 1950's and 60's (Trevor referred
to Sylphs as "critters" in his 1976 book,
The Cosmic Pulse of
Life), but did not include these particular shots in his book because
he couldn't reproduce the images clearly enough to use when converted to a
black and white half tone print (required by book printers).
He mentioned to me that he was able to attract the Sylphs to his location by performing the "Star exercise" (explained in his Cosmic Pulse book) which acted as a sort of lighthouse beacon for the Sylphs to tune into and be drawn to his location. I told Trevor that I was typing an introduction on the morning of June 12 which mentioned the role of Sylphs in neutralizing and destroying chemtrails and Trevor said (as did ZS Livingstone) that my thoughts about the Sylphs allowed them to tune into me and this in turn acted as a magnet to draw the Sylph into my area.
It's truly amazing to witness these things first hand. I now have a small taste of the excitement that Trevor must have felt along with Dr. James Woods back in the late 1950's and early 60's photographing UFO's and Slyphs by spending their weekends in the southern California desert, getting up before sunrise and performing the Star exercise - sometimes for hours. As Trevor performed the exercise, Jim Woods would aim the camera into the empty sky above Trevor and shoot off a few rolls of film - just hoping the 'critters' or UFOs would show up after they developed the infrared film.
At the time, they couldn't actually see the Sylphs or UFOs with only their naked eye. It was a tremendous investment in time and energy for them to try and capture the Sylphs on film this way; as I'm quite certain that the majority of those infrared film rolls came up blank, but when they did hit pay-dirt, the results were spectacular. You can see Trevor's original Sylph photos in The Cosmic Pulse of Life.
Ken Adachi