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Excerpt from...
Masquerade of Angels
by Karla Turner, Ph.D.
1994
And then, as if he were standing a few feet away from the table,
Teddy could see his body lying there motionless. "Am I dead?" he
wondered. Something cloudy and formless began to rise up from the
small body. Teddy was amazed as he watched this mass slowly coalesce
into a beautiful image of himself, and he saw that it was attached
by a bottom tendril to drops of the green liquid on his face. "It's
my soul!" he thought in amazement.
The woman went to the counter for a black, rectangular box, which
she carried back over to the table where Teddy's body lay. With a
single motion, she turned his body over and placed the black box on
the shoulder area. Wires were then attached to the box, and the
woman somehow activated it. The little spirit image was slowly
sucked into the box, which the woman then removed and replaced on
the counter. |
Following is an excerpt from a hypnotic regression in which
hypnotherapist Barbara Bartholic regressed abductee Ted Rice to an
event he experienced at the tender young age of eight.
The account
comes from the book "Masquerade of Angels" by
Karla Turner, Ph.D.
The day was cloudy and overcast, but little Teddy didn't mind. He
loved playing alone, roaming through the cottonfields and chasing
the small animals he flushed from cover. His bare feet scuffling
along, raising dusty clouds behind him. The sky grew darker, and
Teddy wondered if a storm might be coming. Maybe he should get back
home, he thought, turning away from the open fields and heading for
the faded gray house beyond the farmland.
As he walked along, something made him look up.
A light high above
him shone down, and Teddy had to shield his eyes from blinding
radiance.
"That's not the sun, is it?" he wondered.
But before he could go
further, he felt himself rising from the ground, unable to move,
floating up toward the source of the strange light.
An image began to emerge from the white brilliance, the image of a
grating or grillwork. As he approached it, Teddy felt himself pass
right through, like smoke through a picketfence, and his mind
blanked out.
When he was once again aware of his surroundings, Teddy saw that he
was in a strange room, and he was not alone.
"I just saw an ugly face," Ted told Barbara in a whisper. "It looked
chalky white. The head almost looked like it was plastic, a mask. It
had kind of an angular chin, coming down in a V-shape, and curved
slightly. There are two dark holes for the eyes. They look more like
holes than anything else, like it's just a void."
Two small, gray beings stood watching Teddy.
"Who are you?" he asked, looking around in confusion. "Where am I?"
The beings made no sound in response, but then he began to hear them
in his mind. They told him not to speak aloud, that it was not
necessary.
"Talk to us mentally," they communicated, but they would not answer
his questions.
The beings guided him over to a small sitting area and placed him
beside a window.
Looking through it, Teddy became very alarmed. He
could see his grandmother's house below him, but then whatever he
was inside began to turn and move upward rapidly, away from the farm
below.
Bright, multicolored lights flashed by, and he felt as if he were
moving at great speed. The lights disappeared, and all Teddy could
see out the window was total darkness. Fascinated, he watched for a
while, and then he spotted something in the distance. It was a
round, pea-shaped thing that appeared to be getting larger. Before
long, he realized that the round thing was not really growing, but
that he was approaching closer to it.
It was a dark, gray-green
metallic orb, with spikes protruding from various angles.
"Do you remember watching old World War II movies and those great
big explosive mines that were in the ocean. Ted asked. "I keep
seeing something that looks like that, only huge, kind of a dark
color, and I don't see any windows. But there are little things
sticking out on it."
"Where is this located?" Barbara asked.
"I don't know," Ted replied.
Inside the moving craft, Teddy watched the approach to the spiky
orb, which he could now tell was of enormous size.
He noticed tiny
objects around the sphere, flying in and out of the tips of the
spikes. Teddy drew nearer until at last he could discern what these
objects were: metallic ships entering the projections. And he saw
that the craft he was in was now maneuvering to enter one of those
openings.
Once inside the huge sphere, the craft carrying Teddy came to rest
on a gigantic platform. He was led out by the two gray beings into
what seemed to be the central part of the strange environment. The
top of the structure was so far above him that he couldn't even see
it. Beams of light stretched from point to point, and he watched as
other creatures like the ones with him traversed the light beams as
if they were walkways.
Propelled forward by his companions, Teddy walked down long a hall,
noticing the luxuriantly plush carpeting beneath his bare feet.
They
came to a door or opening, and he was led inside. Everything was so
quiet that Teddy felt frightened. The stillness was sepulchral, and
as he looked around he sensed that there was no love, no emotion
there, only the deathly silence. The gray beings were cold,
unsmiling, and uncommunicative.
The little room reminded Teddy of a doctor's office, filled with
cabinets, counters, and strange machinery. In the middle of the room
stood a shiny metallic plate, taller than he was, suspended a few
inches above the floor. It had a small shelf or foot support upon
which the beings placed him, with his back against the cold metal
plate. It was hard for him to see clearly in this room, for it was
lit only by a soft, hazy, bluish ambience that had no discernible
source.
Someone else entered the room, a woman with burgundy red hair,
bluntly cut, with bangs. Her face was rouged and her lips darkly
painted.
She wore a white lab coat, as if she were a doctor's
assistant.
"Remove your clothes," she told him mentally.
"No," Teddy thought back at her. "I don't want to."
Ignoring his protests, the woman and the gray beings forcibly
undressed him, and then she walked over to a counter top area where
many lights pulsated.
Teddy saw large screens above the counter and
other devices he couldn't identify.
The woman pushed some buttons or
switches or something, Teddy wasn't really sure, and then the metal
plate against which he was standing began to change colors.
"The wall's kind of lit up behind me," Ted told Barbara. "I've got
the feeling they're across the room looking at me. It looks like an
X-ray and they can see through me. Or maybe what's on the wall
behind me is telling them something. The wall is funny behind me,
and these eyes are watching from across the room. They're looking at
me, they're talking about what they're seeing on the wall. It has to
do with me."
He paused, concentrating on his interior images.
"They've done something to me," he resumed, "and they're seeing,
they're looking to see how it is."
What had seemed solid metal behind him now seemed more like a window
through which colored lights shone.
Teddy saw that on the screens
above the counter a series of images appeared. At first he
recognized images of his bone structure, and then the image changed
to show blood vessels. Next he could make out what appeared to be
his internal organs, and as each image changed, it seemed this
device was recording absolutely everything about his body. It was
even counting the number of hairs on his head.
Teddy was startled when the plate against which he stood suddenly
moved, tilting slowly back until it was horizontal, like a table. He
raised his head and saw the gray beings approach. They carried a
strange device that reminded him of headphones, which they
positioned on his head so that it covered his ears. Noise came from
the device, puzzling at first but growing painful as it continued.
He didn't like this noise, he wanted the headphones off his head,
and he wanted to get out of that office and away from these beings.
The woman returned from the counter area with a glass in her hand.
It was filled with a green liquid, and Teddy was amazed by the way
the liquid glowed in the dimly lit room.
"Drink it," she communicated, holding out the glass.
"No," Teddy shook his head. "I want to go home."
"Drink it now," she insisted, "or you cannot go home. If you want to
go home, you must mind me as you do your mother."
"You're not my mother," he thought back at her, but she was unmoved.
"After you drink this," she continued, "you can go home."
No emotion came from the woman, but Teddy was scared into
submission.
Without another word, he took the glass and drank the
glowing liquid. Immediately he became sick, nauseated, and pain
flared up as if his insides were on fire. He lay back on the table
growing sicker, until he vomited. Tendrils of green liquid dribbled
down his mouth and chin, still glowing, but at least he no longer
felt ill.
And then, as if he were standing a few feet away from the table,
Teddy could see his body lying there motionless. "Am I dead?" he
wondered.
Something cloudy and formless began to rise up from the small body.
Teddy was amazed as he watched this mass slowly coalesce into a
beautiful image of himself, and he saw that it was attached by a
bottom tendril to drops of the green liquid on his face.
"It's my soul!" he thought in amazement.
The miniature image turned toward the red-headed woman and looked at
her.
Teddy could feel great emotion coming from this form. He felt
it was showing pure love and total, instant forgiveness toward her,
although he didn't understand why.
The woman went to the counter for a black, rectangular box, which
she carried back over to the table where Teddy's body lay. With a
single motion, she turned his body over and placed the black box on
the shoulder area. Wires were then attached to the box, and the
woman somehow activated it. The little spirit image was slowly
sucked into the box, which the woman then removed and replaced on
the counter.
Next, she pulled down an instrument from the ceiling and turned it
on.
"I see what looks like a dentist's drill," Ted described for
Barbara, "kind of on a hook, expanding. They're using something like
this, working on my head, the lower neck."
"Can you describe this action?" Barbara asked.
"They do something on both sides of the back of my neck, the lower
part," Ted exclaimed. "I don't like them doing that. That's when
things started happening in my mind, when I see them doing that."
"What was happening in your head?"
"What I didn't like was forgetting things," Ted groped for the words
to explain the sensation. "I wasn't remembering very well."
Teddy saw a thin beam of light at the tip of the instrument,
watching as the woman moved it down to the back of his neck.
With
the light-beam she swiftly severed the head from the body and placed
it in a basket-sized container on the floor. The table tilted again
slightly, allowing the blood from the body to flow into a vat.
Teddy's mind went completely blank. When he was next aware, he could
hear a noise like a large resuscitator in the distance.
And he was
looking down on row after row of short tubs or containers.
"Give me all the impressions of where you are now," Barbara
directed.
"This room's a lot bigger," Ted said, "and I can see lockers, like
in a gymnasium. There seem to be lockers all the way around the
walls, everywhere."
The tubs pulsated to the rhythm of the noise, and he could see that
they were filled with dark red liquid in which chunks of fleshy
tissue floated.
The sides of the tubs appeared to be made of
cowhide. At the end of each tub, he saw something that reminded him
of the genitals of a cow, and as he watched, one of these areas
opened, releasing a placenta-like bubble of dark red substance.
The gray beings picked up this mass and carried it over to a
sink-type receptacle. They turned on a water outlet and gently
washed the bubble.
When they turned back around, Teddy could see
that they held a tiny baby.
"Describe these lockers, please, Ted," Barbara requested.
"They're not lockers," he replied, becoming more agitated with each
word. "They're compartments, they'll open, and there's something in
all of those."
"What's in there?" Barbara asked.
"I can't look," he whispered, breathing rapidly. "Oh! Oh! No! I want
up!"
Ted fought to escape from the couch, panicked by the vision of the
compartments.
It was all Barbara could do to keep him subdued as she
worked to soothe his terror and return him to more control.
"Lie down, Ted," she murmured, "and relax. Relax. It's okay, you can
cry. It's all right."
One of the beings went over to a short cabinet in a locker area and
opened the door, placing the baby inside.
The other being activated
a control on the locker, and a few minutes later opened the door
again. It rolled out what looked like a small wind-tunnel
contraption. Within it was a tray, and on the tray Teddy saw a body
identical to his, completely naked.
The beings moved this body over to the tilted table, which now stood
empty, and placed it on the metal surface. Then the woman brought
back the black box and set it on the body's chest. Teddy could not
see exactly what was done at that point, but he could see the naked
body suddenly begin to jerk in short spasms. After that, the chest
started to rise and fall, as if the body was now breathing.
The woman removed the black box, replacing it on the counter.
She
and her gray helpers next inserted long, needle-like instruments
into the bottom of each foot, the chest, and the back and top of the
head.
"They do a lot of things," Ted told Barbara, as he regained his
composure. "They stuck something in my feet, up closer to the toes."
"What was put in there?" she asked.
"I don't know," he replied, 'but I'm being told it will make me big
and strong. And they put some kind of drops in my eyes."
"What was the purpose for that?"
"I don't know. My eyes were hurting like they're real dry and
irritated. Somebody keeps telling me that I'll be all right, they'll
be finished in a minute and that I can go home."
One of the grays then brought the woman the headphone device. She
placed it on the body and activated the counter equipment once
again.
"I have remembrance!" Teddy thought, "I have feelings again!"
A
moment before he had felt nothing and known nothing, but now he was
aware of who he was.
He remembered everything he had thought and
felt when he was in his original body, and with a surge of emotion
he mentally cried out that he wanted to go home.
But there was more for him to endure. The grays helped him up from
the table- he was now clearly back in a body, the body they had
created and activated, and led him out to another room. Waitingfor
him there was a different person, a man dressed in a purple suit and
long cape, tall and skinny, more human-looking than the others.
His
skin was almost an orangish-white, a melon color, and his eyes
looked strange because there were no eyebrows above them. His dark
hair, which made a sharp widow's peak on his forehead, looked
unnatural, as if it were painted on his head.
The tall man jerked Teddy up impatiently and seemed to have a nasty
disposition that made the boy very uncomfortable. But before
anything else could happen, another man entered the room. This one
looked totally human, with kind eyes and short, blond hair. He wore
blousy, old-fashioned clothes of emerald green trimmed in gold and
white.
The blond man said something to the bad-tempered man that Teddy
could not understand, but he got the impression they were arguing
about him. Then the dark-haired man angrily stomped his foot,
whirled around, and left the room. The blond man squatted down
beside Teddy and put his arm around the little boy's shoulder. His
gentle, soothing, almost sensual actions calmed Teddy's fears.
The man began to explain what had been going on, telling Teddy about
the lockers and the procedures that had been performed. Speaking as
if the child were an adult, the man told him that he would be able
instantly to absorb this information.
He explained that there were
periodic changes in the evolutionary process of the original Teddy,
and that from time to time, for different reasons, such a
switching-out procedure would be necessary for Teddy to fulfill his
purpose here. He told the boy that he would be visited occasionally
to make sure everything was progressing as it should, for the man
was studying the beginnings of a new approach to something Teddy
couldn't really comprehend.
He also told Teddy that something had been done to his mother, and
that the genealogical structure of both his parents had been used
along with something else. Teddy understood that he was part of an
experiment for the continuity of life, in some way involved with the
final stages of growth.
When the explanation was finished, the blond
man took Teddy's hand and led him through a doorway into a large
auditorium area.
They stood together on a stage, and as Teddy looked out at the crowd
of beings in the room, he saw many more of the gray people. There
were also numerous animals present among them, including some
creatures he had never seen before. They were all gathered there as
an audience, waiting and watching, Teddy thought, with their
attention focused on him.
From the opposite side of the stage, Teddy saw the dark-haired man
walk out leading two other young children, a boy and a girl, who
were also naked. The red-headed woman also arrived, and she took the
two children from the man and brought them over to where Teddy and
his companion stood.
The blond man picked up Teddy in his arms and held him out for the
audience to observe, and then he did the same thing with the other
two children.
"Everybody, this group of people that was watching," Ted said, "it's
like they approve it. I don't know what that means, They were
pleased with us for some reason."
"What did you say this area looks like?" Barbara asked.
"It's an auditorium," he repeated. "There's a bunch of people there,
and a lot of animals. I don't know what some of these things are. I
see some tall, hairy creatures like a Bigfoot, and some horrible
things that look like they're half-human, half- ant or
half-cockroach. Those praying-mantis type things are big and have
some almost human features. Strange reddish-brown, worm-like
creatures, and some furry brown fat ones, even some that look like a
mix of human and monkey. And all of them have their eyes on us."
The blond man began to address the audience, talking about future
generations.
On a screen behind them, images flashed showing the
"before" and the "after" products of the procedure Teddy had
endured.
"See," the man said proudly, "these are just like the original
children."
He explained to the audience that these children were the beginnings
of products of future generations on earth.
Ted's chest began heaving again, and his agitation increased.
"What is coming into your mind now?" Barbara asked.
"The things he's saying, something about our creation," Ted managed
to speak. "Oooh!" he suddenly wailed, in long, mournful cries of
fear and anger. Barbara tried to calm him again, but he was too
frightened to listen.
"I saw that locker door again!" he cried in anguish, shaking
uncontrollably.
"It's okay, don't be afraid now," Barbara encouraged soothingly,
while Ted gripped at the couch and fought against the spasms
wracking his body.
"I know what's in there," he whispered, trembling. "I know what's in
there. And that's what I don't like. There's another one of me in
there. Oh! Oh! I don't want to do it any more! I want to stop!"
His eyes flew open and he stared around in panic. No matter how much
he wanted to block the memories, they kept coming.
"They put me in there and took it out," he whimpered, "they changed
it. There's another one of me in there."
Tears streamed down his face, and the spasms gradually ebbed away.
"It's fine, it's okay," Barbara repeated. "You let that out, you're
fine now. You'll feel better now that you've faced it."
"I wasn't produced in my mother," Ted said, crying again. "I know. I
saw it. There's more than one of me, looks just like me."
"Did they all have your kindness and your generous spirit?" Barbara
asked. "Did they have your kind of soul?"
"I don't know, I don't know," Ted cried out, suddenly loud and even
more terrified. "I want to get up!"
Another: Ted
Rice / Karla Turner abduction account
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