You may consider that this happens every time THEY evidently invent a story, or a set of stories, describing the "reality" of THEIR characters in such a manner that either you go into an ascending spiral of thoughts or your brain forget at least for a moment who THEY really are and may even start doubting if a HURRICANE ever existed.

Let's clarify your brain with some examples.

Example #1 :

You're at work. A workmate whom you know is a FOREIGNER says :

"Last night I woke up in the middle of the night and rushed to the fridge, starving to have something sweet in my mouth."

For obvious reasons, you know that this sentence is invented. You must never forget who THEY are behind THEIR characters.

As soon as you hear the sentence above, I suggest you mentalize the archetype : "INVENTED LITTLE STORY", because YOU KNOW it is not true. And you may add : "CHARACTER GUIDELINE IN THE STAGE WORLD".

And if the character continues insisting in the INVENTED LITTLE STORY adding more details, then you may visualize : "BELIEF REINFORCEMENT".

By the way, over each new phrase giving you supplementary details about a certain invented description of reality they construct to sell you, you must add this archetype "BELIEF REINFORCEMENT".

Finally, you may have been hit by a second-meaning keyword. Let's say that in the example above you have dreamt about your so-called 'sisters' or 'brothers' just the previous night. And the character speculated about 'middle of the night' and 'something sweet to eat'. So you must deconstruct it using the classical scheme. In the end, you may add : "DREAMS CLONING".

Additionally, you may want to list the types of "INVENTED LITTLE STORIES" or "CHARACTER GUIDELINES" connected with FOREIGN characters in the STAGE-WORLD : besides food and sleep, there are other details like health problems and diseases (e.g. cold, flu, fever, headache, toothache, backbone problems, etc.), wounds and accidents, peculiarities of the human body (e.g. sneeze, belch, hiccup, etc.) and so on. Use your imagination.

The situations above may be applied to STUNT characters in the STAGE WORLD as well.

Example #2 :

Let's say you are a man and live in Chicago, Illinois. You are visiting a relative or a friend (it doesn't matter), who lives in an apartment.

In the middle of the conversation, your host starts hallucinating into a daydream stuffed with keywords : "You know, I'm thinking of replacing the verandah's jardiniere by a chicken coop with a fence.".

The tone may be joky, ironic or even serious. Never mind. Because in this case YOU KNOW this is something that is NOT gonna happen, there is a multiplying effect in the speculation over your brain.

Officially, the person is just wandering with his/her thoughts. So that's how you must reduce and compartmentalize his/her speculation. Thus, besides using the label "INVENTED LITTLE STORY", you may want to add "WANDERING TECHNIQUE".

Example #3 :

Let's say you're a girl, live alone and have no boyfriend or dates at all. Suppose that the character of your sister in the STAGE REALITY lives near your place - let's say with your parents -, and is ALLEGEDLY dating a guy.

At first you never see the guy, but every time you go to your parent's house - where your sister lives - THEY insert an element of speculation in your brain regarding this subject.

Sometimes the phone rings and it's a male voice for her. You listen it. Sometimes THEY talk about the guy as if he already had gone there several times. But you NEVER see him, in spite of the fact that you go there at least once a week. This situation may last for several months or even a year.

The truth is that THEY want to plant the seed of speculation and fantasy within your brain, creating and feeding an element that never appears concretely and that has only a minimum of palpability.

Don't forget THEY have a factory of illusions just for the SURVIVORS, a whole "department" embedded in THEIR Operations Center nearest to you in the BACKSTAGE reality. THEY fake everything (I mean, everything but true love), including voice frequencies. YOU KNOW.

In this case, THEY want to manipulate your so-called HAIR or VAMPIRISM, and also your expectations and fears, keeping your mind under THEIR control as long as you stay thinking hypothetically about an element that never concretizes itself.

Using THEIR keywords as a catalyzer tool, they FORCE you to fantasize deliriously over hypotheses that never come true.

In this example, being a girl, you would be forced to think : "Will the guy be handsome ? Is he cute ? How cute ? Does he have muscles ? Does he have a big cock ? What about his face ? Is his character cool ?".

And more important : "Are THEY gonna use this guy against me ? Is she gonna marry him ? What if the guy tries to seduce me ? Am I gonna resist ? Is he dangerous ? How dangerous ? What if he fits the perfect description of what would be the very root of my 'vampirism' ? Should I keep a distance from my parents' house ?".

And so on : "What if my beloved husband appears using his character ? Oh, how wonderful it would be. But could THEY use this fact against me ?" .

I suggest that in a situation like this one, you must be alert to every detail of the speculation. Realize that, in this example, THEY are combining both the "TRIAL BALLOON TECHNIQUE" that you have seen previously and the "INVENTED LITTLE STORIES TECHNIQUE".

YOU DON'T HAVE TIME TO THINK HYPOTHETICALLY. TRUST IN YOUR INNER VOICE. TRUST IN THE VOICE OF YOUR BELOVED ONE WITHIN YOUR HEART. IT NEVER FAILS. YOUR BELOVED ONE WILL NEVER, EVER, LET YOU SUCCUMB IN THEIR DELIRIOUS DREAMWORLD-TO-SELL, UNLESS OF COURSE YOU WANT TO.

YOU DON'T HAVE TIME TO THINK IN THIS STAGE REALITY, IN THIS ZOO, MAZE OR CIRCUS, IN THIS 'MATRIX'. YOU DON'T HAVE TIME FOR FEAR, DOUBT OR DISBELIEF. BELIEVE IN YOUR BELOVED WIFE's (HUSBAND's) VOICE WITHIN YOUR HEART.

Returning to the example, in this case I suggest that, every time you hear a speculation that may be connected with this phantom character that never shows up, you mentalize the archetypes : "INVENTED LITTLE STORY" plus "TRIAL BALLOON TECHNIQUE".

And to reinforce it, you may create secondary archetypes like "INVENTED HYPOTHESIS" and "NO TIME FOR FEAR", or even "FAKED DATE IN THE STAGE".

They may give you details on her ALLEGED boyfriend, in these INVENTED LITTLE STORIES. Sentence upon sentence, THEY may construct THEIR description of reality and thus reinforce his very existence to your brain. In this case, you should add to your visualization the archetype : "BELIEF REINFORCEMENT" every time THEY insist in the subject.

And if and when the guy finally shows up, you'll see that very very likely he will be just an ordinary and average guy : not so handsome, not so ugly. Then every time you see him with your sister, you may want to mentalize : "PRETENDED DATE IN THE STAGE".

Always remember : THEY are just pretending. Even if they kiss and and hug each other passionately in front of you, it is a LIE, because IT IS MADE FOR YOU TO SEE.

Some of THEIR characters may have limitations, and others may feel difficulties in separating illusions from reality while pretending in the STAGE WORLD. In extreme cases, THEY may be replaced by STUNTS, just to continue with some speculation over you.

So how do you know your sister is REALLY dating this guy ? Have you seen his penis penetrating her vagina ?

Do you see the point ? Like an orchestra following the laws of quantum physics, you only see what THEY want you to see. What you see is just THEIR description of the reality around you, the very reality THEY have made for you to see.