"Yet their strength and their speed are still based
in a world that is built on rules. Because of that, they will never be
as strong or as fast as you can be."
(Morpheus, in "The Matrix")
This page contains some of the rules that comprise the Matrix reality.
The Matrix is the system used by foreign forces
operating on this planet, so as to accelerate spiritual choices of each
individual on Earth without violating their free will.
Earth is already under foreign Intervention in a disguised manner,
since several decades ago. They use terrestrial shapes to live as characters
among us - in disguise - infiltrated in society, behaving exactly as
terrestrial humans do.
"THEY are the gatekeepers. THEY are holding all
the keys, THEY are guarding all the doors"
(Morpheus, in "The Matrix")
"THEY" are the "foreigners" that live on Earth, as well as the terrestrial
members of their groups. The "guardians of the visible world"..
1. As long as you are a survivor, they'll always treat you
as a survivor - This means that
they are not slaves of their characters
. Their character guidelines can be changed
through a variety of performances.
2. The rule of the Backstage is Love
- All the procedures,
performances and acts of their characters will always - I mean A-L-W-A-Y-S -
respect your love for your beloved one. They will always adapt themselves
to your love, no matter what are the characteristics or guidelines of a
specific character. If necessary, they remove elements out of the way or
introduce new ones; characters get sick, characters are transferred,
characters retire, characters die, or are involved in artificial accidents.
Remember : they live as characters in a stage, and unless you live in a
neutral-inhabited oasis, they are everybody around you. This means
they can make everything happen if it is really necessary to adapt to your
Love for your beloved one.
3. Their characters are not slaves of the
Opposition or of the lizard characters -
The fact that there is a foreign
war going on in the Backstage reality (and formerly in the Stage) doesn't
mean anything for a survivor.
Their characters are capable of producing a variety of
performances like the ones mentioned above in order to fulfill the
strategic goals of the war. However, when dealing with survivors
these performances if necessary are overrided by the ones needed to respect
the survivor's Love for his or her beloved one and vice-versa.
Beware of their distorted logic. Since when hypocrisy rules the Universe ?
What rules the Universe is Love. The characters of OUR SIDE operate on Earth
following this premise. Never doubt this fact.
4. Every one of them is a phantom for you
-
Every one of them - except for your beloved one and possibly your master -
is a phantom for you. Their characters are not really your "friends" in the
Stage World. Their characters are not really interested in developing a
genuine "friendship" with you. And all the other girls or guys - besides
your beloved one - are not really interested in having a "relationship"
with you, or in having an "affair", or sex.
Some of them may really like you as a friend and some of them may be
really physically attracted by you, but all of them will always behave
in the first place as nagual warriors, stalking you all the
time. They will always
try to control your life and deceive your brain. They are treacherous.
Not one of them is reliable. They operate under the command of the
Operation Center(s) dealing with your case. They act together like
bees. They say what the masterminds inside the Operation Center want
them to say. They never break this rule. They never indulge themselves in
having "pity" of you or in treating you as a genuine friend.
5.
They can only use against you the very elements that you first give them
Remember "The Matrix" : "It's not the spoon that bends,
it's only yourself".
In every conversation you participate involving their characters, this
element is present. If they fish your personal history, or some
information about you, or your opinion about something, or just your
curiosity about a subject, then they use it against you, by manipulating
their second meaning keywords, or by dividing reality into little pieces
talking about games or sports for instance. If you become
interested in a particular conversation, they try to use your enthusiasm
against you.
You may realize that they have a very peculiar way of talking : they
do not go directly to the issues; they want to fish your participation,
so they talk about a subject without entering the key points. When they
want you to say something, they usually don't ask you directly : they
insinuate the sentences, the ideas, the words, everything.
You must learn to detect this technique and to answer only what has been
questioned directly to you, to say only what you want to say, not what they
expect you to say.
It's really very difficult to control dynamically all your sentences,
and all your movements, but you can practice it over and over. You can
practice also what Castaneda calls "the power of silence" : being aware of
their fishing attempts and avoiding them.
Moreover, if you rationalize reality - thinking about something using
terrestrial logic - then they can try to "punish" you using doubletalk and
linguistic manipulation. Rationalizations like : 'I must be there
in time'; 'this one is cheaper than the other'; 'I cannot throw away this
food'; and so on. Depending on the situation, these reasonings no longer
are valid.
They want to control your life and your energies. So do you.
Everything else is a consequence of this fact : a dissimulated war to
control your destiny.
Let's take a look at one example of using what you do against you in the
field of security measures. Let's say that you have your homepage about
nagual issues, that you have a commitment about your anonymity, and
that you do have an extra copy of everything in floppy disks at work in your
desk, in the back side of a locked drawer. When you're working, however, the
drawer remains open because you need to have access to other materials.
Nobody ever dares to open your drawer. That's your privacy.
One day, your workmate brings a 4-year old kid to the
office. The kid starts making a mess all over the office. One by one,
everybody goes out and you find yourself alone with the kid for a moment.
You start playing with the kid, innocently teaching the kid how to type in a
computer keyboard. You feel happy because the kid apparently is not one of
their speculators : the kid is not being cynical or hypocritical, just
being a kid. This day at home you talk to yourself how it would be good if
everybody else behaved like this kid.
Three days later, there the kid is again. This time the kid goes directly
to your desk, after all you have first started a friendship with the kid.
You have first praised (in your own mind) the kid's "innocence". Nobody is
apparently paying attention, but the kid starts becoming curious about the
objects over your desk, about your drawer, and so on.
So now you have a problem. The kid is
also a phantom - one of their speculators - who is now using your joy and
your kindness against you. At night they inculcate another dream in your
brain : you dream about "accidentally" - by the hands of a kid -
losing your anonymity and becoming famous. That's how they work :
using trial balloons to insinuate their ideas and trying to turn what you do
against you.
You realize that if you do not do anything, that very kid will soon or
later "casually" find your floppy disks and insert them in the
computer, and if you're not present someone else may "casually" show the kid
how to operate the computer, how to insert a floppy disk that is already
in the hands of the kid, how to open a file inside this floppy disk, and
- boom ! - your anonymity is over.
So you find the solution : you put all your floppy disks inside a box,
and you pack the box hermetically like if it was a parcel to be mailed.
Now you have closed the door for their speculation. So the kid respond
to your acts and do not appear anymore for at least a long period.
"Yet their strength and their speed are still based in a world
that is built on rules. Because of that, they will never be as strong or
as fast as you can be"
The example given above is a good illustration of this sentence from
"The Matrix". They need to respect your free will. They first need to
insinuate the elements - usually several times, in a growing manner -
so that if you do not do anything, they can blame you in the future for
their very artificial movements, and therefore try to take energy from you.
They cannot simply break your anonymity. They need to insinuate themselves
somehow and they do it slowly, day after day.
8.
They will never push you beyond your limits
Illusion has a limit. The force of this Matrix reality -
this "Stage World" where we live - must
never be underestimated. Unless you develop your paranormal faculties and
control the elements around you, there will always be a limit for your
perception field. And unless you're given specific exercises, there will
always be a limit for your kundalini energy as well.
However, you do not need to be afraid of losing control or of
"losing your soul" once you understand and perceive and feel that
they're FORCED to respect this rule.
You'll never be presented with elements that are stronger than you
for more time than you can stand it. In other words, everything is dosed
either in regularity or in time of exposure. For example, from times to times
a "hyper-cute" shell can pass by you in the streets -
in a calculated maneuver, but he or she won't be regularly present
in your workplace or in your gym or in your classroom unless you're
really prepared for it.
And "cute" shells in general (of your "sisters" or
"brothers") will always dose the situations around you :
long hairs can be tied or untied whenever necessary, they can go in or out a place, become
more or less "sexy", and so on.
They can only clone your fears or desires. Everything that exists outside
you exists also inside you. Remember : there are no Neutral persons
in your region anymore, so that literally every element that is significant
to your mind has a great likelihood of being synchronized with your acts,
feelings or thoughts. It means that they can only present
you regularly with an element that is above your limit if you
first manifest a profound and repetitive interest in searching for
this element.
The spiritual path is infinite, so that you'll be always learning
something, either before or after the beginning of the physical relationship
with your beloved one.
They're forced to adapt themselves to your limits,
either before or during this relationship.
15.
"A deja vu is usually a glitch in the Matrix" -
(Trinity, in "The Matrix")
That's amidst this environment of manipulation and control that comes the
deja vu. You have a deja vu involving one of the shells of your
beloved one around you. And your beloved one also has the same deja vu
while occupying this specific shell of him or hers.
The deja vu is magic, it's illogical, it's not understandable.
It's reality, you can't explain how you know it. You just know it is going
to happen. It has already happened somehow. You have no doubts about it :
that shell of your beloved one is going to date you, and marry you.
You saw it. And your beloved one saw it too.
"It was like a Martian mind melt."
So this shell cannot be replaced anymore, not even by other shell of your
beloved one, because the deja vu creates reality, and if necessary
the deja vu creates opportunities.
Aren't you the owner of your destiny ? What about your beloved one :
isn't he or she also the owner of his or her destiny ? So if you love
him/her and he/she loves you, if you have had a deja vu involving a certain
shell of him or hers, and vice-versa, this is the reality of the couple.
"Each human being is the only owner and master of his own
destiny"
Nothing can change this reality any longer. No circumstances, no
artificial accidents, no character guidelines or character opinions,
no terrestrial legislations, no logical conditions,
no military situations, no Opposition and no
foreign lizards, no governmental investigators, no nothing.
You just have to
believe hard enough.
You just have to trust the voice of your belove one inside your heart.
All the rest is just and only a collection of illusions, fantasies and
deliriums artificially fabricated and perpetrated by their characters in
your perception field. They manipulate a factory of illusions,
a power plant of mirages.
Remember : Love creates reality. And the deja vu creates reality as well.
16.
You are part of your perception field. The survivor
constitutes his or her perception field the same way that the perception
field itself.
You can also say that their characters - the speculators -
constitute this speculation - based on linguistic manipulation and artificial
synchronicity - the same way that the very target of the speculation :
the speculated person. It means that they are also responsible for
the results of the speculation.
This is the world that you know, the world as it was at the end
of the twentieth century. It exists now only as part of a
neural interactive simulation, that we call 'the Matrix'
Another name for "neural interactive simulation" would be "artificial
synchronicity and language manipulation", because once they read your mind
all the time, they respond to your thoughts with their sentences and
their acts, synchronizing everything in a Pavlovian way, in order to keep
your brain under their thought control.
"It's not the spoon that bends. It's only yourself."
Well, what is "the spoon" here ? If you're a survivor, you know
already the answer. "The spoon" is your perception field, it's the
manipulation that occurs around you. When you change, the elements of
your perception field change too.
It's an interactive process. You also participate in the process.
One of the techniques they like to use within their sleep-inductive
brainwashing is precisely to induce you to forget this truth. They like
to say that everything is "natural" around you. Take these two sentences
for example :
"Life comes in waves"
These are two of their favorite philosophical phrases. These sentences
hide a cynical distortion : the subliminal message is that you can't
control your destiny. That's exactly the core of their speculation,
that's exactly what this is all about : control.
"What is the Matrix ? Control. The Matrix is a
computer-generated dreamworld built to keep us under control, in order to
change the human being into this [a battery]"
Instead of terrestrial computers, they use telepathy, their network of
brain-based crystals and they communicate to each other
practically in the speed of light.
According to the sentences showed above, your destiny would be something
controlled by their characters, something that comes "by chance", "naturally",
"like waves in the sea" or like "the water of the river" that flows
"naturally" in front of your eyes. Your destiny would be something
that you watch passively.
In the first example, their speculation is called "life". It's what you
see around you : the artificial performance of their characters.
They come and go. These "waves", however, have never been "natural" like
the ones faced by Tom Hanks in the movie "Cast Away". These "waves" are
totally artificial, like the ones faced by Truman Burbank in "Truman Show".
If you know what you want, however,
there's nothing they can do to lure you out of your way.
Remember :
they need to clone your beliefs, and they always respect your
limits. When you want, they want too.
Love creates reality. If you believe hard enough, it will happen.
In the second example above, they also present a self-pity inductive
idea : your destiny - which appears "casually" in your perception field -
is made of "casual" opportunities that never happen again with the same
element.
Because everything is unique in the Universe (each moment, each person,
each shell, etc.), it's very easy to associate this sentence with
some element on the top of your memory stack that has just passed. It would
be like saying subliminally to your brain :
"This element won't appear again. We control each one of
the elements that appear in your perception field, and we decide what
elements are going to appear and when".
True Love, on the other side, has a different agenda.
True Love creates reality, and True Love creates opportunities.
Trust in the voice of your beloved one inside your heart.
This voice never lies. Trust in yourself.
17. THERE ARE NO SIDES, at least between you and your
perception field (characters of Our Side in this Cosmic War).
Variation : Apart from neutral persons and the characters of the
Other Side, all the elements of your perception field exists
inside you.
Variation : Your sisters and brothers exist inside you.
They are not separate from you. Your sisters love you. Your brothers
love you, too. Every one of them loves you.
Variation : Their horse movements exist inside you
as well.
Variation :
When you win, they win, too.
When you lose, they lose, too. There is no fight or game.
You never 'beat' them. You only beat yourself.
18. THERE ARE NO IMPEDIMENTS. There are no limitations,
unless you first believe in them.
No matter what are the characteristics of your present shell,
the attributes or conditions of your present social life
(like age, income level, race, nationality, geographical location, etc.),
and the characteristics of some specific shell of your beloved one,
they will try everything you can imagine (and sometimes things you can't
imagine !) to convince your brain that you can't have a relationship in
this Stage World with this or that specific shell of your beloved one.
Or at least they will try to convince your brain that you can have this
relationship, but not openly, otherwise you will have to pay the price of
prejudice, of an implicit social apartheid and sometimes of legal
persecution. In other words, you would have to hide your beloved one,
or behave hypocritically before their characters - in a malicious way -
in order to be "accepted" by them.
Well, this is a lie. Yeah, a L-I-E, a shameful and cynical LIE.
The biggest lie of all.
There are really no impediments. They will say "you can't, but he (or
she) can, because of this or because of that". Realize that normally
their justification for your impediments is based on an
alleged social prejudice or in malicious or
too rational descriptions of reality.
If you're white, they'll say "only blacks or latinos can do
this, whites can't, 'cause blacks and latinos are dirty and
promiscuous, they are permissive, they are poor, they don't have a
reputation to lose, etc.".
But if you're black, they'll say the opposite : they'll say
"only whites can do this, blacks can't, 'cause whites rule the world,
'cause whites govern and dominate society, 'cause whites are above the law,
etc.".
If you live in a big city or in a metropolis of your country,
they'll say, "you can't do this here, only who lives in small cities
of the interior can do it, because nobody is seeing what happens there,
because there is no law in small cities, etc.".
On the other side, if you live in a small town of the interior,
the alleged impediment remains the same :
"you can't do this here, because society here is
conservative, only who lives in big cities can do this, because there
society is liberal and nobody cares about what you do, etc.".
If you're anonymous, they'll say "only famous artists can do this,
anonymous can't, 'cause the famous are protected by the media and its
sponsors and advertisers, 'cause they're part of the system, 'cause they
have fans who idolize them, 'cause they're above the law, etc.".
But if you're famous, they'll say the opposite :
"only anonymous persons can do this, but famous can't,
'cause famous persons have a reputation to lose, they have a name in the
market that must be preserved, they have to have responsibility before their
fans, they have to give a good example, etc.".
If you are an American, for example, they can say that
"you can't do this here, you can only do this if you move to
South America, Eastern Europe or Southeast Asia, 'cause in these countries
society is permissive and there is no law, 'cause there they're dirty and
promiscuous, they're poor, etc.".
But if you live in one of these places, they'll say
"you can't do this here, either, unless you do it in a hidden way.
If you want to do it openly, you have to move to the United States,
Canada or Western Europe, 'cause there you can be a poor immigrant that is
seen as a promiscuous or permissive person.".
Likewise, if you're a rich man (or woman) in society, you can't do this,
but poors can. And if you're poor, you can't do this, either !,
but riches can ! You just have to repeat the arguments and
"justifications" of the examples above.
Obviously, the prejudices showed above do not corrrespond to the
truth. The truth is that
prejudices, stereotypes and generalizations usually reflect convenient
point-of-views for dominant groups throughout history.
The truth is that each human being is different from every one of the others,
each element is unique, and that conclusions cannot be reached
analysing these attributes. Nothing is necessarily this way or
that way because of this or that condition.
You are what you want to be, regardless of your tonal
conditions - whatever they are, because your beloved wife or husband
loves you.
The potential impediments are countless.
The real impediments are non-existent.
"I believe in something"
(Neo, in "The Matrix")
Remember : True Love creates reality.
Deja vu creates reality as well.
They're all characters, they're all pretending.
Belief generates experience.
They have to clone your beliefs and they're forced to
respect your free will.
They're not slaves of their characters
and neither of the characters of the lizards
of the Other Side. If you want, they want it, too. If you do not want, they
don't want it, either.
Love rules the world, not hypocrisy.
You don't need to hide or change
anything in your tonal reality to be happy.
Not all characters are hypocrites : some are not, including rich people or
famous persons. And as long as you don't have your crystal activated,
you're not a character.
They really don't have malice within their minds, especially those
characters who have already their crystals activated for more than
five years now. True Love exists, even for some of their characters,
even when "advantage" or "self-interest" seems to be the motive for a
relationship between their characters. Remember :
they're much more advanced than they seem to be.
The majority of them do not have the values of the Stage World any longer.
Nagual comes first,
tonal comes second.
Reality is only a description. Even before the passage of the spiritual
hurricane, even before Neutral persons or before characters of lizards
of the Other Side, even under repressive or authoritarian regimes, there
are not and there never were any impediments for True Love.
There is not and there never was
necessity for malice to justify a
relationship. She (He) could marry you even in the Afghanistan of the
radical talibans.
There is no fare or payment of any kind.
You need but your courage.
Remember :
your beloved one is a nagual sorcerer,
a marginal knight, someone who controls and manipulates
limits or boundaries or conditions or situations
with an astonishing, penetrating,
fierce and decisive force.
She (he) can manipulate at any moment nagual elements like
teleportation, clones, etc.; use her (his) paranormal faculties to change
physical elements of the Stage World (like documents, clothes, etc.);
neutralize flying, invisible cameras of the Other Side -
should they exist; make use of witnesses to corroborate her (his)
points-of-view; changes the description of the past;
manipulate synchronicity in a non-malicious way; and so on.
You only have to believe that she (he) loves you.
She (He) loves you ! That's all.
A last reminder :
there is no "advantage" in True Love.
There is no "self-interest" in True Love.
Think about it.
"Do you think it's air that you're breathing ?"
19. The tonal world is a consequence of the nagual
reality (at least for a survivor).
Consequence : the performances of their characters orbit the necessities
of the nagual reality that you create with your heart.
Consequence : they like to cover-up nagual phenomena with tonal
explanations.
Consequence : you can also use the "Stalinism technique" together with
your beloved one. Reality is only a description.
20.
There are no rights or wrongs : just Heart and Illusion.
Where there isn't Love, there is Illusion.
21.
God exists inside you within your heart; not outside,
not separate from you.
22. If you're a Pan,
YOU'RE ALSO A FOREIGNER.
If you're a Pan survivor, you're like a foreigner
without powers and without crystal.
23. THERE ARE NO MIRRORS.
Variation : Foreigners have no mirrors.
If you're a Pan and your false 'mirror' is also a Pan, he or
she is also a foreigner, just like you.
Variation : There is no merit in genetics. If you're NOT a
Pan and your false 'mirror' is, there is nothing you can do to change
this. He or she is not better nor worst than you, just genetically different.
Variation : There is no merit in training. If your false 'mirror'
has an activated crystal and you do not, it is probably because
he or she died, and you didn't. All the abilities that they say these
false 'mirrors' have and that you allegedly do not, are already stored
inside your brain in the form of pigeon-holes that you'll access in
the future. Even in the present time, there are no incapacities or
disabilities at all. They are all pretending, they are all characters,
everything is artificial, the majority of their characters really do not
believe in the things they pretend to believe. They are more
spiritually developed than they seem to be. Nagual comes first, tonal comes
after. What rules the world is Love, not hypocrisy.
24. Hypocrisy does not rule the world.
What rules the world is Love.
Variation : Hypocrisy is not necessary, especially for
survivors. Hypocrisy is not absolutely necessary for characters,
either. There are characters that are almost not hypocrite.
Variation : The majority of their characters are not totally hypocrite.
They're just hypocrite is some aspects of their characters, which usually
vary from character to character.
Variation : Hypocrisy can be used by a survivor as an exception
for strategic reasons, in order to avoid that someone use against you what
you first say or do.
25.
They are much more spiritually developed than they seem to be.
They speak at least one foreign language. They have permanent
access to a totally different reality : foreign ships, teleportation,
Operations Centers, human clones, foreign technology, holograms,
foreign original shapes, telepathy, aura reading, telekinesis,
astral projection, paranormal faculties in general, levitation, and so on.
They watch daily hours of foreign programs inside their
crystals. Some of them have neutralized foreign lizards
of the Other Side.
They are also in the process of deconstructing dichotomies, but from
another perspective : helping each other spiritually. They manipulate and
artificially create descriptions of reality.
26.
Everything your 'sisters' or 'brothers' have to offer you, your beloved one
can offer you, too. Theoretically ,every element that their
characters have to offer you, your beloved one also has.
They use to establish a dichotomy between having true love with your
beloved one or having sex with a lot of kundalinic shells of other girls or
boys, whom they call your 'sisters' or 'brothers'.
A symbolic representation of this dichotomy is seen in the movie
"My stepmother is an alien", starred by Dan Ackyroid
and Kim Basinger : at the end of the movie, the scientist - Ackyroid -
chooses to stay with his alien wife - Basinger - while his brother
embarks aboard an alien spaceship with plenty of fresh meat -
kundalinic shells - to have sex with.
This dichotomy is false. As a foreigner operating in the
Stage World, your beloved one is able to change shells as many times as
needed. She (He) is willing to use kundalinic shells in order to treat
your illusion of vampirism, or in order to marry you indefinitely
with that shell.
Once you do not consider this an "advantage" - which is not -, she (he)
can use an entire collection of shells so as to treat your vampirism,
just like their characters insinuate your 'sisters' (or 'brothers') could do.
And she (He) can do this in a variety of ways, among which you can
specify two :
a) you can date or marry one shell of your beloved one - your official
girlfriend/wife or boyfriend/husband in the Stage World - and through several
performances simultaneously have hidden relationships or "affairs" with a
lot of other shells also occupied by your beloved one; or
b) you can date or marry one shell of your beloved one faithfully in the
terrestrial society, while she (he) changes shells secretly at home
whenever necessary, from times to times rotating shells and wearing
kundalinic shells. She (he) can even make use of surprise shells.
The difference is that your foreign wife (husband) loves you,
and your sisters (brothers) do not. And you love your wife (husband),
but you don't love your sisters (brothers).
A relationship with your
beloved one involves the true feeling of Love, and happiness. It is
something that comes from the bottom of your heart, no matter which shell
she (he) is using, while a relationship with your sisters (brothers)
involves only sex and illusion : the illusion of
"going back home",
and the trauma of auric death, sadness, melancholy, depression,
regret.
Foreigners of Our Side believe very firmly in the premise that
nobody in this society of characters where we live
(the tonal world) should be happier than the other persons.
But what is happiness ? It varies from person to person.
Who said that officially dating or marrying a kundalinic shell of
your beloved one in the terrestrial society cannot be a synonym of
happiness for you ? And who said it can ?
Do you believe that if there is a kundalinic disparity in a couple living
in the Stage World (a 'pretty' girl with an 'ugly' boy or man,
or a 'handsome' man with an 'ugly' girl or woman), it means necessarily that the 'ugly' part is taking some sort of 'advantage'
over the 'beautiful' part ?
Do you believe - like their characters pretend to believe - that in order
to date or marry an 'ugly' part, the 'beautiful' part in a couple needs to
provide society with a hypocritical excuse like : "but
he (she) is intelligent", "but he (she) is rich",
"but he (she) is famous", "but he (she) is charming",
"but he (she) has a renowned job", "but he (she) is
sympathetic", and so on ?
Do you believe - like they say - that the 'beautiful' part in a couple
like this (that presents a great kundalinic disparity) needs to be
unfaithful in the society to the 'ugly' part, so as to make a "concession"
to the hypocrisy of society ?
Do you believe - like they like to repeat to your brain - that the
'beautiful' part in this couple is a slave of her (his) character, and
is a slave of her (his) body, having to succumb to "temptation" if
a very kundalinic man (woman) tries to seduce her (him) ? Why ?
Who said that ? Who said all these things ?
Their characters ? Their characters always work
over the premise that True Love does not exist, and that hypocrisy rules
society. They usually imitate the point-of-view of the lizard.
It is not by chance that Neo's boss in "The Matrix" is called Mr. Rhineheart : that's the same of
"rhino heart".
In other words, the heart of the foreign lizard of the Other Side
operating in this Stage World where we live.
It is not by chance that Shakespeare wrote a play called
"Richard the Lionheart".
"The world is a stage",
used to say him some centuries ago.
He knew very well what he was saying, but he was almost alone in this stage
at that time. Only very few were aware of this. Nowadays the world is
literally a stage, with practically everybody "in the know" : the Stage World,
that corresponds to what Castaneda prefers to call the "tonal" reality,
to what Plato - the greek philosopher - calls "the visible world", to what
Morpheus calls "the Matrix reality".
It is not by chance that the character of the Devil in
"The Devil's Advocate" - played by Al Pacino - says
that "Love doesn't exist. It is just chemical reactions in your
brain.". Do you believe in this lie ?
She (He) loves you. She (He) loves you.
She (He) loves you, man (girl).
True Love is not based on "advantage". Their characters don't care about
you. They don't give a cent about you, not to mention another word.
They don't give a cent about your beloved one, either, because they are
much more advanced than they seem to be.
And no matter how cute may be a shell of your beloved one dating or
marrying you in society : they have means of diminishing or belittling
her (his) beauty for your mind through descriptions of reality, either by
using other kundalinic shells of their characters or by solemnly ignoring
her (his) beauty in front of you : "She (He) is so sympathetic,
so intelligent, so bright..., she (he) is even
pretty (handsome) !".
And your beloved one can help you deconstructing this dichotomy by
uglifying her (his) appearance in public whenever necessary.
27. THERE ARE NO AGREEMENTS. There
are no "agreements" with Agent Smith. There are no "agreements" with
their characters regarding your relationship with your beloved one.
You're the only owner of your destiny, the only creator and definer of
your reality. You and your beloved one.
That's what this is all about : the control of your destiny.
Therefore, in order to create the reality of the couple,
there are no "concessions" of any kind to be made to their characters.
Do they ask your "opinion" when they create the reality
of their lives ?
If you give them a nail, they'll take your finger. And if you
give them a finger, they'll take your hand. And if you give them your hand,
they'll take your arm. And if you give them your arm, they'll take your heart.
Watch out ! Either you're the owner of your destiny, or you're not.
In this particular subject there is not a middle path.
"Half pregnancy" is something that doesn't exist. "Half heart" doesn't exist,
either.
28. For something to be created, you need first
to delimit precisely its boundaries.
The element that you're going to create
must not be replaceable with
other similar element. You must know very well what you want,
and why. If you have had a deja vu,
you know what I'm talking about.
If you don't specify all the RELEVANT details
of the element that
you're going to create, it is very likely that you're not going to create
this element. That's because as long as you do not define exactly what
you want, their characters will launch endless trial balloons and manipulate
every tiny variation and different possibility that they can imagine.
So as long as you do not specify all the boundaries of your creation,
they can control your destiny. If you want this, they will say
"you can't have this, but you can have that"; or yet :
"you can't have this this way, only that way"; or else :
"you can't have this now, only when we let you have it".
You must have no doubts, and you must wish it from the bottom
of your heart. But you're not asking for something :
it's different, you're creating it. What you're creating is not something
that you're gonig to "gain" or "receive". Your beloved one is also interested
in you.
The dialogue below is from one of the last scenes of the movie
"Dark City", that also deals with the question of
manipulated realities and of the creation of reality of your life with
your will.
"Be waiting for you is. What are you doing ?"
(one of the Strangers to John Murdoch, on the fact that John was creating
the reality of his life with his will)
You have no time for fear. YOu need but your courage.
There are no impediments. Although
they can insinuate prejudices in similar situations, they will not
show a prejudice in your case, because they respect very much your True Love
with your beloved one, and they're forced to
clone your beliefs.
If you want it, they want it too, and if you don't want it, they don't
want it either.
You must also know exactly why you're creating this element :
is it for "going back home" ? Is it to "amuse" yourself, "have fun" or take
some sort of "advantage" of something ? Is it only to treat
your "vampirism" ? Is it simply to be happy ? Is it because of the "deja vu" ?
etc.. You have to ask your heart. Your heart has all the answers.
29. Love presumes confidence. Love
presumes reliability, trustworthiness. You have to trust
your beloved one, but he (she) has to trust you as well.
30. You can move an object with your mind
in public in the world of characters (the tonal world).
Absolutely nothing is forbidden.
There is no impediment for you to do anything.
They are FORCED to respect your free will. They also need to
respect the free will of the last remaining Neutral persons.
Take a pen for instance. Look at a pen.
I suggest you do it now.
You can move a pen with your mind, and you can make this pen levitate in
front of you and in front of other persons. If you're a PAN,
I know YOU KNOW you can do this.
What do you need to move this pen ? Why couldn't you move it
here and now ? Why not ? Ask yourself. Look at the pen and analyse
your thoughts.
Analyse, specify and delimit
each one of the contrary beliefs that
allegedly impede you from moving the pen with your mind.
Recommendation : I suggest you stop reading
this rule right now so as not to be influenced by the examples below.
List and write down your own examples. What are the contrary beliefs that
you have in your mind that allegedly impede you from moving the pen ?
If you do this for your own, you'll understand the mechanism
of the construction of reality.
This is a generic rule that you can see in almost all situations, from
security measures to the power of silence, from erasing your personal history
to situations involving your kundalini energy.
(Morpheus, in "The Matrix")
It means that no matter what are the circumstances, everything around you
is always carefully dosed so that you'll be able to handle the situations
properly, provided that you follow your heart.
They like to manipulate delirious trial balloons and to create
endless alternative solutions for the very elements that they block.
When you really want something, they will try by all forms and means to
convince your brain that you have an impediment related to this element, and
to force you to use the
replacement maneuver and find an alternative solution to the very element
they have blocked, so that if they want they can "give you" the first
element again and control your destiny by saying subliminally to your brain :
"OK. You want this element ? No problem. But you'll have it because we
want you to have, not because you want it. We control your destiny,
you obey, crestfallen."
(Ed Walters, the character of Tim Robbins in the movie "I.Q.", on the
deja vu he has just had)
(from an old foreign book called "the Dragvarda")
This is an idea that is present in the fields of quantum physics,
some areas of philosophy, esotericism and others. It means that you're not
a passive observer of what happens around you. Particularly now - after
the passage of the spiritual hurricane - for the survivor mind
this has been definitely proven. Everything is artificial around you, all the
elements capable of interfering with your counciousness are intelligently
manipulated by their characters under the command of the foreigners'
Operations Centers on Earth.
(Morpheus, in "The Matrix")
(boy to Neo, in "The Matrix")
"The water of the river never passes twice under the same bridge"
(Morpheus to Neo, in "The Matrix")
Remember :
belief generates experience.
(Morpheus to Neo, in "The Matrix")
Variation : The nagual is the matrix that shapes the tonal.
In other words : Nagual comes first, Tonal comes after.
Nagual is the center, Tonal is the periphery that orbits the center.
Variation : Heart comes first; the Brain is merely a tool.
Consequence : There is no external judgement. You judge yourself.
Variation : Accept your beauty. There is no external judgement.
There is no podium in the Backstage.
Variation : Accept your imperfection. Nobody is perfect,
not even foreigners.
Variation : There are no impediments or limitations of any kind,
unless you first believe in them.
Variation : There is absolutely no need for you to be hypocrite
in your relationship with your beloved one, unless you want it.
Anyone having an activated crystal for more than four or five
years now is already much more developed in spiritual terms than he or she
seems to be.
The element that you're going to create (like the physical relationship
with your beloved one in the Stage World) must have concrete boundaries
and specific limits, either in shape, space or time.
It is virtually impossible to create something that is vague and
imprecise.
"I'm just making a few little changes round here, so ?" (John Murdoch)
"Are you sure this is what we want ?" (the Stranger)
"I'm prepared to take my chances" (John Murdoch)
"I'm dying, John. Your imprint does not agree with my guide. But I wanted
to know what it was like, how you feel" (the Stranger)
"You know how I was supposed to feel. That person isn't me.
It never was. You wanna know what it was about us, that made us human ?
You're not gonna find it in here" [pointing to his head].
"You were looking in the wrong place".
Recommendation :
do not read this rule before reading the Section
"Emptying yourself".
Beginning of blank space
This
blank
space
is provided
in order
to help your brain
avoid the temptation
of taking a look
at the examples given below.
If
you really want
to feel
and perceive
and understand
the mechanism,
I suggest
you refrain
from being curious
and first practice yourself.
Look into the pen
and ask yourself :
why can't I move
this pen
now ?
Analyze your thoughts.
End of blank space
Now take a look at examples of contrary beliefs in this case :
# 1 - "I can't do this, because it's physically impossible.".
# 2 - "I can't do this, because my brain is not prepared, not yet.".
# 3 - "It is really theoretically possible, but it is impossible for me to do this now".
# 4 - "It's a delirium. It's too difficult. I need to start with a match, a toothpick or a one-cent coin.".
# 5 - "I can't do this now, it requires a lot of fastidious training and dedication. Who knows one day, perhaps next year.".
# 6 - "I can't do this in public, because I would be violating the esoteric law of secrecy. It wouldn't be ethic. It is illegal to do this in the tonal reality (that is, in the world of characters). It is forbidden. I'd feel guilty".
# 7 - "I can't do this in public, because someone else could use it against me. Someone else could accuse me of being the source of the mental power that levitated the pen. ".
Argument : But couldn't you cynically accuse their characters of being the source of the movement, too ?
# 8 - "I can't do this in public, because I'm gonna blush and this will give me away. I would become nervous and the consequences would be terrible.".
Argument : But all the characters around you would also be surprised. Do they have proof that you have made this ? Couldn't another person around you be the source of the movement as well ?
# 9 - "I can't do this in public, because I could be investigated or chased by Government agents or by journalists or by persons who know me.
Argument : Their characters have no explanations for the fact. So do you. You just have to act naturally. There's nothing they can do against you, unless you say that you did it. Officially, you didn't.
# 10 - "I can't do this in public, because I wouldn't be agile enough to concentrate my mind and at the same time act naturally and cynically.
# 11 - "I can't do this in public, because potential Neutral tourists could see it."
Argument : Well, my dear friend. It is time to get real. It's time to wake up ! If the hurricane has already covered around 98 percent of the Earth population (as of August, 2001), don't you think it is time for Neutrals to know the truth ? They'll know the truth anyway. We're on the verge of great changes on planet Earth.
# 12 - "I can't do this in public, because potential foreign lizards of the Other Side could be watching me through their invisible camears, and they say (the characters of Our Side) that there is a group of lions and bears dangerously stalking me, and if this is true, it could be dangerous".
Argument - Unless you live in an area where the spiritual hurricane is really still evolving (like Taiwan, Nepal or Nicaragua, for example) or where it has recently passed (like Indiana, USA), there are no potential lizards watching you. The lizards of the other areas really don't care about you. They have to justify their movements in terms of their characters. And even if there were foreign lizards watching you move a pen with your mind, what their characters could you against you ? Absolutely nothing, provided that you do not assume that you did it.
# 13 - "It's not the moment yet to activate certain areas of my brain. I'm afraid."
# 14 - "It will consume too much time and energy".
# 15 - "I haven't enough wisdom, because this power could accidentally go uncontrolled or ungoverned. I could even hurt someone unintentionnally".
Argument : There are no Neutrals anymore. Practically everything in your perception field is controlled by the foreign satellite and by foreigners around you, so that at least near a foreigner, there are no serious risks. They're not serious, so why should you be ?
# 16 - "It's a dream. It's too good to be true".
# 17 - "I don't deserve it. It's too much for me".
# 18 - "I need first to arrange things, and accustom my brain to the idea.".
# 19 - "I can even try.".
# 20 - "I can't, but he (she) can, because he/she is Martian or Venusian, and I'm not. I'm a PAN."
# 21 - "I can't, but he (she) can, because he/she is a PAN 51, and I'm not. I'm a PAN 50".
# 22 - "I can't, but he (she) can, becuase he/she is a PAN, and I'm not. I'm a terrestrial".
# 23 - "I can't, but he (she) can, because he/she is a veteran survivor, and I'm a newcomer.".
Variation : "I have 2 years of survival, and he (she) has seven years.".
Variation : "He/She is 850 years-old, and I'm just 150.".
Variation : "He/She is Yoda, and I'm just Luke Skywalker.".
variation : "He/She is a rare dinosaur from the Paleozoic Period,
survivor of five Ice Ages, who was born 300 million years ago,
and I'm just a babysaur from the Mesozoic Period,
survivor of just two Ice Ages, who was born
just 100 million years ago."
Do you see ? Twenty-three mental excuses for not moving a
pen with your mind. And that's the ones I've found. You may find your own
additional ones.
Besides contrary beliefs, there are also
conditioning beliefs, that in general will say :
"I can't do this, UNLESS...", or
"I can only do this IF...", or
"on condition that..." or "in case...".
Now analyze, specify and delimit each one of the
conditioning beliefs that allegedly impede you
from moving the pen.
These are examples of conditioning beliefs in this case :
# 1 - "If I had my crystal activated, I could do this".
# 2 - "I can only do this if I receive an alien scientific explanation on the interaction of atoms and molecules, on the properties of microscopic particles, on the interpenetration of bodies, on how gravity can be beated with my mind, and so on."
# 3 - "I can only do this if I make a tremendous and huge effort till I sweat my brain and burn my neurons".
# 4 - "I can only do this after I free myself completel7y from this sick linguistic prison".
# 5 - "I can't do this while I'm still eating red meat".
# 6 - "I can't do this in a crowded place. I have to be in a calm and quiet wood, perhaps in an isolated area in a park, where nobody is looking at me".
Argument - But there a bird can chirp, and the wind can blow and make noise in the leaves of the trees. And what if it rains ? What about those little ants irritating your legs ?
# 7 - "I can't do this in my workplace. Only at home, in a penumbra, meditating a lot".
Argument - But a mosquito can bite you. The phone may ring. And what if your arm itches ?
# 8 - "I can't do this unless I hear some classical songs or relaxing mantras, and/or light an incense"
Do you see it again ? Now you have eight additional alleged
motives that impede you from moving the pen with your mind. Eight additional
mental excuses.
However, you know very well that if you deconstruct each one of these
alleged impediments you actually move the pen with your mind.
It is just a question of believing hard enough.
As with moving a pen with your mind,
so in doing anything else.
The construction of your reality is made of deconstructing
contrary beliefs and also conditioning beliefs. These contrary
beliefs and conditioning beliefs are intentionally manipulated in the
sentences of their characters around you, dynamically, but these sentences
can only penetrate your brain if you have doubts or rationalism in your mind.
All they can do is to clone your doubts. And exaggerate them. And create new ones. And recreate them over and over, till you learn that you're stronger than them.
"You have no time for fear, doubt or disbelief. Free your mind."
(Morpheus to Neo, in "The Matrix")
For example, if you want to create the reality of your relationship with
your beloved one, the reasoning is the same. You just have to believe in
the voice and in the eyes of your beloved one. She (He) loves you.
So instead of waiting for Santa Klaus, you can really create the
reality of your relationship with her (him). You just have to trust your
beloved one and do exactly what she (he) says, and you do not need to
understand (because the rational understanding makes your brain become
available to their speculation).
That's what they do in the Backstage reality all the time : they create reality. Their characters are much more advanced than they seem to be, especially if they have their crystals activated for more than - say - five years now. The great majority of these last ones really move objects with the mind in the Backstage. They levitate objects. They do astral projection. They often penetrate deliberately your nightly dreams. They read auras. And so on.
"I believe that as a species human beings define their reality through misery and suffering"
(Agent Smith to Morpheus, in "The Matrix")
Do you agree with him ? What about you ? Do you define
your reality through misery and suffering ? Ask yourself.
There is no fare or toll.
There is no payment.
There is no external judgment. You really do not need to suffer to
be happy. YOu just have to
empty yourself and
create the reality of your life.
True love is based on
mutual confidence : your beloved one has
to trust you as well.
All the alleged impediments exist only
inside your head. And all the other "Matrix rules" described
throughout this section are supporting elements for deconstructing these
alleged impediments.
32. Foreigners also have
individuality. Foreigners also have personality.
The Operation Center(s)
do not interfere with the personal lives or with the personal choices of
foreign individuals on Earth.
It means that your beloved one is NOT a thing. Your beloved one is
not somthing that THEY are offering you or selling you. He or She is not
something that you're going to "gain" or "receive". He or She also wants you,
also loves you.
Your beloved one is not a slave of the Operation Center(s).
He or She is not "a sheep in a flock:", at least regarding his or her
personal life with you. He or She has also the right to be happy,
not only you.
It also means that your beloved one is the only one responsible -
along with yourself - for his or her approach, and/or for your relationship
with him or her. It depends only on him or her, and on you.
All the rest is just an illusion, a delirium placed in
sentencews or in nightly dreams.
In other words, the decisions that your beloved foreign wife
or husband takes with regard to your relationship with her or him are
solely of her or his exclusive responsibility. This is completely out of
THEIR "jurisdiction" (if such a thing existed...).
33. the Sun is round, not square...
From times to times, they like to lauch trial balloons about impossible
things or virtually impossoble situations, especially involving your
beloved one or exotic elements. Things that won't ever be true unless
you doubt the voice of your beloved one. Things that are planted in your
nightly dreams, for instance.
Don't try to square the circle, because it is round. Love is round, not
square. The behavior of their characters is round as well.
34.
Click here to open Rule # 34 in a separate page.
Read also "The allegory of the alien" (an illustrated allegory presenting a comprehensive analysis of the alien intervention on Earth, including a chapter about the Matrix reality describing the alien war on Earth as a spiritual war.)
Read also "What is The Matrix ? - The spiritual Matrix" (analysis and definition of the Matrix system of control used by foreign forces operating on Earth.)