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Part Five
One plods along, noticing that the main central, mysterious, and
powerful character in Charles Williams’ "The Place of the Lion" is
named "Mr. Berringer"; with the main central, mysterious, and
powerful character in the mystery of Rennes-le-Chateau being
Berenger Sauniere. That’s curious.
When the same work by Williams
later makes causal reference to a small church which,
"...was a
small, old, rather ugly Wesleyan church...It must, he thought, be a
rather-out-of-date place; most of the Nonconforming Churches had
adopted the words "holy Communion". Besides this building still
called itself "Zion", which was surely rather an old-fashioned
title.",
...one of course cannot attribute it to coincidence. Surely
Williams knows of Sauniere, and has seen fit to place him in a
peculiar but major role in his novel.
By the time one gets to the tower in Lewis’ "Prince Caspian", where
Doctor Cornelius "initiates" the young Caspian, one gets the gut
instinct to associate it with Sauniere’s tower with it’s locking
door that is referred to by the Fanthorpes. Are we being told by
Lewis that the precautions in Sauniere’s tower were not taken
because of some paranoia of assassins, but simply that it was a
favorite private place to discuss the "unmentionable"?
By the end of "The Place of the Lion", one receives the distinct
feeling of having encountered classical alchemic symbols, in their
correct context - even the unicorn appears, with its vortex-like horn
and its surviving traditional, alchemic and magickal contexts, and
by the very end the anticipated classic alchemic symbol for
Palingenic resurrection, the Phoenix, has indeed surfaced out of a
mere handful of symbols. One is left with the perception that most
of what they have read is fodder, made plain or strange only so that
these symbols stand out against their troubling background, and that
what Williams is alluding to behind thin veils is exactly what is
proposed though mere speculation, that the true treasure of Rennes-le-Chateau
is some very unusually concrete clues to a resurrection different
that the one of Biblical promise, the resurrection of the
alchemists.
Lewis also uses the expected devices if the Inklings are out to
redistribute the ancient secrets; after much of my theorizing that
the Egyptians gave the water lily the reputation for having the
power of immortality is that found a way to use it in their elixirs,
and quite possibly, Palingenics as well, if there’s any botanical
that volunteers itself out of the entire Chronicles of Narnia, it is
the water lilies that virtually saturate the ending of "The Voyage
of the Dawn Treader" where the sea’s waters turn from salty to sweet
and possess miraculous powers.
Being that the people surrounding Sauniere seem quite enamored with
their ciphers and anagrams, we have yet to see what some of the
curious phrases of the Inklings will produce when scrambled,
especially anything that’s absolutely conclusive, but I’ve already
seen some very interesting ones.
One is tempted to leave nothing they italicized untouched, and that
is only for starters.
Returning to the symbols of the Inklings, while we should still, in
all fairness, include the content of Lewis’s fellow Inkling’s use of
the lion as a symbol, such as his "Place of the Lion",
Lewis’ work
has provided ample enough clues that I’m willing to hazard guesses,
provided some adherence to the alchemic significance of the Lion is
maintained. Classically, the Lion has numerous meanings. The most
tantalizing from a casual glimpse at a reference work on symbolism,
is that,
"In the Middle Ages the lion symbolized the resurrection, in
part because the idea, attested by many authors, that lions were
born dead and after three days are awakened to life by their
father’s breath. Representations of roaring lions sometimes
symbolize the resurrection of the dead on the Day of Judgment."
How perfectly like Lewis’ lion,
Aslan.
We probably shouldn’t overlook several things at this point, while
we are still discussing the fundamental symbolism here.
In Richard Hoagland’s third Mars video, "The Terrestrial
Connection", he details the painstaking way which the initial
observation that the Face on Mars had leonine characteristics, like
the Egyptian Sphinx, was carefully developed far beyond just a
casual observation, in a scientific manner. Hoagland refers to the
"exquisite, almost excruciating" confirmation that followed, and
observes that in Arabic the Sphinx is called "The Father of Terra"
(In ancient Egyptian, "The End of the Beginning connected to the
Beginning of the End").
There’s something a little peculiar that the God-like generative or
progenerative power of the lion in Lewis’ "Chronicles of Narnia" has
echoes going back that far, especially when we consider that such a
force is needed to terrestrialize other worlds. In Charles Williams’
work as well, the lion is in the center of the curious occult
generation of animals, and especially where two worlds are coming
into a strange type of contact.
The question remains whether the appropriate use of symbolism here,
and the rich texture of that symbolism, is enough to begin to prove
that the Inklings were aware of the Face on Mars, and its message,
even as they seemed to be allegoricizing the possible physics of,
and the instructions for, its colonization. It seems all to easy to
gloss over this again and again, that C. S. Lewis’ Aslan may have
been intended by him to represent the face on Mars, and all of its
glorious but logical possibilities.
The Lion has also been used by alchemists, for its "devouring"
nature, to symbolize corrosives, and conveniently, as a singular and
fundamental solar aspect, this coincides quite well with the concept
of corrosive and acidic free protons of hydrogen, the "–H" in the
"pH" readings of acidity or alkalinity. Somewhat in context is the
electrical behavior of the earth in regard to electrical charges as
well, especially if we are willing to take into consideration the
elementary electrical knowledge that "conventional current", as it
is called is, only a convention.
In an elementary way of speaking, as the earth is attractive to the
negatively charged electrons, it can be said with some remote
degree of correctness to be repulsive to the oppositely charged
protons, although this is normally somewhat apart from the reality.
What instead we must be concerned with rising up from the earth are
atoms that serve as the "matter feed" or "matter stream" for the
materialization of objects or the matter for vegetation miracles, or
for miraculous uprising of water from the ground, and it is of
course most uncanny how the powers of Aslan when we first meet his
are of precisely this nature.
The Lion has also long served as a symbol of the solar metal,
Gold,
although it may largely serve as a symbol of the key players in the transmutative process. So much has been said on these pages already
about the critical role that heavy electrons may play in almost
virtually every miraculous feat that the alchemists have been
credited with over the entirety of known history, that making the
leap to knowing when and where the golden crown may be seen as the
symbol of an atom’s heavy electron orbital may be a relatively easy
one, and the further projection of this premise through its possible
role in the miracles in question here not that much more
additionally challenging.
Were it not for the graphic and glowing descriptions of a rumble
within the earth as Aslan sings, we might know almost precisely who
he is already, but Lewis indeed introduces another aspect to this
fabulous character, one which we can associate with the previously
encountered harmonic resonance that wakes the evil Queen, and in
turn associate with the geological forces that are the question of
the Martian enigma, and perhaps even the enormously long wavelengths
that appear to be responsible for the recurring phenomena of sailors
from the
Philadelphia Experiment becoming periodically intangible or ephermal or
ghost-like.
We may encounter here the suggestion that these geological energies
may be directed to giving this unused and buried matter the impetus
to permeativity or intangibility that facilitates our miraculous
processes, a fairly ingenious and particularly practical suggestion.
In fact, if we go back to our history of Nikola Tesla, we find that
at the age of 77, when his understanding had time to fully ripen,
the New York Times reported (Apr. 8, 1934, pg. 9, col. 1)
"Tesla
Sees Evidence That Radio and Light are Sound".
Tom Bearden comments
that "Sound is a longitudinal wave - as it the Tesla wave. Hertzian
waves are transverse waves, not longitudinal".
Bearden’s paper (which can be found
HERE)
elaborates:
"In several articles (e.g., H. Winfield Secor,
’Tesla Maps Our
Electrical Future,’ Science and Invention, Vol. XVII, No. 12, pp.
1077, 1124-1126), Tesla even revealed he used longitudinal stress
waves in his wireless power transmission.
Quoting from the article,
’Tesla upholds the startling theory formulated by him
long ago, that the radio transmitters as now used, do not emit
Hertz waves, as commonly believed, but waves of sound.’
He says that a Hertz wave would only be possible in a solid
ether, but he has demonstrated already in 1897 that the ether is
a gas, which can only transmit waves of sound; that is such as
are propagated by alternate compressions and rarefactions of the
medium in which transverse waves are absolutely impossible.’
The wily Tesla did not reveal, of course, that such
scalar waves
nearly always immediately pair-coupled into vector waves when
produced by normal means. Tesla himself was working with
longitudinal scalar waves."
It takes so little imagination to really begin to grasp that, that
it’s very likely that Tesla knew it all along, maybe as a young lad
admiring the thunder that came with the lightning. He may very well
have been taking the opportunity to repeat an all important
principle that had been still largely ignored by the world. The fact
may be that this "unusual" view is the very one that anyone should,
and could, derive from dwelling on the phenomena of percussive
magnetization of ferromagnetics, as when a magnet-to-be is aligned
lengthwise north and south and struck.
What it implies here is enormous, and C. S. Lewis seem fully aware.
(Perhaps he received the reports of giant geometries appearing on
Mars with some commentaries that the effect was like Chladni’s work
with vibrating plates, a favorite subject of the Theosophists, whose
most intimate principles seem well known to Charles Williams).
Aslan’s deep rumblings, incidentally, may be akin to not only the
undersea vibrations of Posiedon’s oceans, rumblings that give him
peculiar associations with horses, but may be synonymous with the
undersea activities of the planetary nodes; the "Quinotaur" who has
a notable role in the musings of the Fanthorpes and those of
Elizabeth Van Buren, may be none other than the five sided
expressions of the planetary forces that first made their appearance
in Hoagland’s science as tetrahedral forms, pentagonal geometry that
defines the
Bermuda Triangle and other areas of anomalous physics at
their own latitudes the same way the tetrahedral geometry defines
the effects at its own latitudes. The Quinotaur, of course, may have
more meanings...
There is however, something more, beyond the conceivable debate I
could stage about the meaning of the Latin and its acronym which
appear on Crowley’s card ( I would certainly encourage anyone to
consider whether the constantly alleged figurative vitriol
shouldn’t be symbolizing the potential action-at-a-distance
properties of actual vitriol), and that "something more" takes the
form of the repeated use of rainbows on Crowley’s card. Much like
the possible suggestion of phase-conjugate techniques in the
"fictitious" mirrors of the Inkling stories, but there is even
stronger suggestion here of the now much better known principles of
photo-refraction. In the modern sense, this effect is elicited in
certain materials by the use of the laser. Of exactly what, was
Crowley aware?
That "something more" also take the form of nailing down a certain
dichotomy that runs as a thread though this and any related
discussion, specifically, I have spoken again and again of using the
planetary power associated with Hoagland’s uprisings of energy for
the induction of causing the uprising of matter, and while this is
no paradox or contradiction if we specify that this matter is
energized or is akin to energy, such as with ectoplasmic matter that
is suspect of having changed its quantum statistics, I have often
made reference to the possibility that the specific structure of the
planetary energies in question may not only relate to a Unified
Field Theory, they may be the very model of a Unified Field Theory,
and perhaps out of which a relatively simplified and practical
version can be created.
It has been said of course by Helena Blavatsky that much of what may
have confounded people out of giving any credit to the alchemists,
or at least that may have facilitated it, that people have seemingly
failed to understand that what the alchemists were working with were
not necessarily physical substances, but substances "on the
borderland of matter".
While we are speaking of the works of Albert Einstein, perhaps it
will occur to us that these
planetary uprisings of energy, which in
some instances manifest demonstrably manifest as basically uprisings
or configurations of matter, may be issued by a source that does not
necessarily possess the inclination to distinguish between the two
in the first place.
While this may be pushing the limits of credibility -or credulity-
here, we have before on these pages seen with the sign of the
Rainbow, a powerful ancient archetype that appears in magickal
symbolism as well as near-death experiences, and one which seems to
neatly correspond with possible models of scalar energy effects such
as teleportation.
Keeping this in mind, have we ever had any assurances besides
automatically assuming so, that the excess radiant energy that is
coming from planets of our solar system that "cannot be accounted
for without hyperdimensional physics" is necessarily even energy at
all, in any absolute sense of the word?
The implications that exist alongside the concepts of
phase-conjugate teleportation and scalar teleportation may include
that the troublesome worries of eventual soil depletion by
widespread use of unregulated materialization technology may be "magickally"
eliminated by a view of physics which may maintain that through
phase-conjugate technology, and that this matter may be derived from
this wasted surplus radiant "energy", that its elemental identity is
sharply limited by the elemental nature of the body that is
originally responsible for it, which dramatically circumvents
concerns about the possible military abuse of materialization, and
may further account for the invariable tendency for those knowing
ones to look toward mastery biological processes for their ultimate
goals with such technology.
While the gold of the alchemists may not be derivable in such a
manner (and while there’s much to suggest that alchemical gold may
have been accumulated from the soil rather than transmuted from base
elements), the organic ectoplasm that has long been a part of
parapsychology and paraphysics may be able to come from this
mysterious energetic excess. What we have here is the underpinnings
of an even more coherent set of possibilities of terraforming Mars
and other worlds, making them earthlike, and even doing so in the
most magickal and expedient manner imaginable - almost instantly -
just like the magickal song of C. S. Lewis’ Aslan creating the
land
of Narnia. We may also have more coherent beginnings of the ability
to understand the phenomena of teleportation that may eventually
become absolutely necessary for any schemes to reduce the strain on
Earth’s population by thinning mankind out through the heavens.
Somewhat conversely, the inferences here regarding matter energy and
physics may give us our best understanding yet of a transportation
technology that can serve interplanetary commuting while giving us
full assurance of doing no more harm to our already precarious
environmental situation, without the frightening hoard of
experiments that might have been required to make such possibilities
practical realities.
Which brings us once again to a nagging thought... that with all of
the incredible work gone in, and unfulfilled promises to come out
of, the free energy arena that surrounds the subject of Zero-Point
Energy, is it somehow far more likely that we will far sooner manage
to "tap the Zero-Point Matter", or "tap the Zero-Point Energy AS
Matter"?
The question, however, remain of what exactly is intended by
Crowley’s use of the double rainbow. We can take some assurance that
his wealth of symbols here is in great accord with both the mythic
tradition that enshrines the ancient science, and with the symbols
and prerogatives of the Inklings. We can also feel some good
assurance that the rainbow is used to symbolize the branch of a
scalar vector that contains quantum values, where perhaps they and
perhaps mass are displaced from an object or body, but besides the
fact that there is no inherent reason for us to insist that there
can only be a single "quantum vector" in a scalar transmission, or
that a scalar transmission may only have two components,
-
What
exactly does this particular symbol mean?
-
Is it a double vector, the sort that allows that the element that is
transmuted return to the ground, while the element it becomes is
being taken from the ground, or phase conjugated into matter from
the upwelling of possible stuff on "the borderland of matter"?
-
Is it
some sort of non-local provision that could truly put a system "far
enough ahead of the game" to keep up with the unpredictable
fluctuations of the so-called "vacuum" and truly tap the Zero-Point
Energy?
-
Or is it something that no participant in the sciences has
yet managed to enthusiastically imagine, in spite of the mystery of
the Templars haven thus given birth to priceless ideas on the very
outer borders of what is imaginable?
For now, it is a mystery of the most powerful sort, a mystery that
for a moment must stand... although I find it remarkable, if not
surprising that the symbol of the double rainbow, unbeknownst to me
at the time I began and titled these pages, indeed appears (as
unlikely as that might be outside of a hypothesis here that sits at
the very borders between knowledge and intuition) at the very end of
the Chronicles of Narnia, along with a dense clustering of alchemic
symbols (and powerful hints of the same physics that George
MacDonald attempted to use to bridge science and theology).
All things considered, many of the conclusions of Elizabeth Van
Buren, however far fetched you may find them, may run respectfully
parallel to a respectfully literal assessment of the "hidden"
messages of the Inklings.
One final curiosity, however, if I have not stretched someone’s
imagination too far here already... I have made the purpose of this
study to be the colonization of space, and Mars being next in line,
these pages are devoted to that goal. Having brought Tesla into the
fold here, Nikola Tesla in fact did something before the turn of
this century that some of us Tesla fans are still trying to live
down, he claimed to
have made radio contact with Mars. I wouldn’t be
one to try to strain the credulity of the reader here and try to
tell you there are people even now on Mars, but all things
considered, perhaps Tesla’s claims aren’t that preposterous, or
embarrassing to his fans.
While Gregory Hodowanec has joined that group of people who make
this claim, using his gravity-wave detector technology, and even
Robert Nelson hasn’t bother to ignore him for it, I’d still advise
wondering if the replies Hodowanec seems to receive aren’t a type of
adaptive communication by an artificial intelligence. I’ve put much
on my web pages about the prowess of the ancients in creating
artificial intelligence, although it must be only a small fraction
of what I’ve thought and imagined on the subject. None of this
however changes the essential fact that what we have seen so far
from the work of
Richard Hoagland advises us that someone who had
been on Mars has tried almost everything imaginable to get our
attention down the barrel of a telescope.
If they had thought to give a message to some future people, would
they really have left such an all-important communication solely to
the chance possibility of a visual technology making contact happen,
or would they have correctly anticipated that even before the
recipients of such a message had the visual technology that they
might possess other technologies? Even then, Tesla’s success seems
to have been through the sophisticated means of a scalar receiver.
At any rate, this too, must have been taken into consideration by
the Inklings, and their legacy as well as Tesla’s somehow simply
cannot escape from being centered around this, that even while Tesla
was giving us our modern electrical science, he was, typically,
making plans for giving us the stars.
One can only wonder, in spite of the possible adaptive nature of the
signals
Hodowanec claims to have received, what rigid beacon might
have been left on the Martian surface, and how the precise content
of the signals from Mars that many have claimed to receive, might
look when taking into account what we now know about the physics
that the Martian artifacts illuminates for us. Is it not simply
logical that not only is the point of the architecture we observe is
to call us, lead us, and bring us to Mars, but that the content of
an energetic beacon must also be so?
It’s little wonder that this subject has already here embraced the
idea of scalar teleportation.
There’s at least one other thing that seems notable, as well...
besides the particular mechanism with which Lewis’ characters return
home at the end of "Prince Caspian", actually, a structure that’s
been used as a pendulum accuracy frame for something to do with it’s
properties as a frequency shifter- properties that aren’t
necessarily different than the harmonic science that may be imparted
by
crop circles, used in magick mirrors, and may connect Aslan’s
roar with his radiance, as Tesla suggested, that sound and
light are
simply differing frequencies of the very same thing... (It’s all too
often that the vehicle for teleportation in fiction is exactly this
kind of thing, but then again, why shouldn’t a doorway into other
dimensions look like a doorway? That may be only right...)
That something that is notable is the peculiar twisted time frames
that Lewis allows to exist between his different worlds. Such
worlds, where only a few seconds pass on earth, but years may go by
in those other realms, while they can be presumed though physical
theories, have long been part of the legends of shamanic journeys,
including the modern shamanic writings of
Carlos Castaneda, and
they’ve been as much a part of the
Philadelphia Experiment as time
dilation has been a part of relativity. All in all, that’s getting
to be a pretty substantial consensus...
At this point, I almost want to look back at James Clerk Maxwell’s
hyperspatial poetry; while he understandably laments man’s limited
thinking of dimensions, he also seems to lament man’s own
hyperdimensional nature, which may not of itself be a bad
arrangement at all. It does pose a problem when we’re trying to
apply scalar physics to stripping the matter from the soul of man
for the sake of scalar teleportation that it gets to be something to
complain about. In other words, Maxwell’s creativity may also have
been directed to this problem, as well as that of the Inklings and
Tesla.
It doesn’t mean that none of them solved the problem... all that we
have looked at here implies that they did, all of them.
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