by David Wilcock
from
Scribd Website
Spanish version
Part I
May 16, 2007
Just this past autumn, I was alerted to
a HUGE new development in the story of the Philadelphia Experiment.
Yesterday I found the documentation!
HISTORY OF THOMAS
BROWN
As you may already know, Thomas Townsend Brown has an interesting
story - he is one of the secret fathers of antigravity technology.
The reason why his name was lost in the sands of time (at least as
far as the mainstream is concerned) is simply that his work was
classified for ‘national security’ purposes.
Nonetheless, working antigravity
technology was discovered by Brown at least back in the 1920s - and
possibly even earlier by
Nikola Tesla.
Although there are many great references to Tesla, this link is
unusually good - and it also contains the contents of
Chapter 4 from
the same book that we’ll be examining Chapter 7 of in this article,
regarding the Philadelphia Experiment.
We may draw on the
information in this link for other articles later.
EVEN MORE
STUNNING NEW INFORMATION
Dr. Townsend T. Brown discovered that strong electromagnetic
fields produce an anti-gravity effect. Gradually his work got
attention. You can see here one of his earlier prototypes, in the
shape of a cylinder.
As I’ve written in
Divine Cosmos, if you
create a strong-enough flow of current between a negative and
positive pole, you will get an anti-gravity ‘thrust’ that starts
propelling your device in whatever direction the positive pole is
pointing.
Here’s a description of how this
actually works in terms of the ‘flow’ of space-time ‘fabric’, as
Einstein would call it:
This is actually a very simple physics
principle and shows the hidden unity between gravity and
electromagnetism. All that is required, ultimately, is high voltage
- higher than we typically use in any household appliances.
In Brown’s designs, the negative pole is much larger than the
positive pole. If you think of a UFO designed like this, you’d have
the entire bottom of the ship be a negative plate, and the small
sphere at the very top of the ship as the positive plate.
You can navigate the ship by breaking up
the negative plate into a series of pie-shaped sections and varying
the current flow between them.
I met Mark McCandlish at the
Disclosure
Project event in May 2001, where he explained the above drawing as
being an accurate rendition of an ‘Alien Reproduction Vehicle’ or
‘Flux-Liner’ already in use by various forces within
the secret
government.
SECRETS OF
SPACE, TIME AND QUANTUM MECHANICS
Of course, Brown’s principle ties directly in with quantum mechanics
as well.
You have negatively-charged electron clouds and a
positively-charged nucleus in the atom. In the Divine Cosmos model
(and others I studied), the
Biefeld-Brown effect is what causes the
electrons to rush into the nucleus.
Ultimately, to understand this physics you have to see all atoms and
molecules as almost like ‘portals’ that a much greater source of
energy is flowing into and through. All matter is constantly taking
in this energy to replenish itself each and every moment - and if
the flow was cut off, the object would disintegrate.
Remember Einstein’s discoveries that space and time are part of one
unified ‘fabric’. This leads to the conclusion that an atom is
simply a ‘displacement’ - a vortex - in space and time. All we have
is a flow within space-time - an aperture through which the flow may
occur.
Space-time starts out ‘flat,’ without curvature, and as you
accelerate it towards the speed of light, the curvature increases.
This curvature bends gravity along with it
- though on the quantum
level it is too small to be appreciated as part of the same basic
force, so we would refer to it as the ‘weak force’, for example - one of the four basic fields in mainstream physics.
At the speed of light you create a torus - as you see in
below
image. Space could now be thought of as the outside surface of the
torus, and time as the inside.
What happens when you accelerate the
curvature PAST the speed of light? The torus unrolls again - but now
it is INSIDE OUT.
Time, which was on the INSIDE of the torus, has now moved to the
OUTSIDE of the torus - the SURFACE.
What was once time has now become space. Everything inverts.
And as your velocity further increases (from our
perspective) or decreases (from the other side’s perspective), the
torus again flattens out, becoming a stable, inhabitable plane.
You have just created a gateway into ‘time-space’ - a parallel
reality in which there are three dimensions of time (as we think of
it) and one dimension of space (to our perspective.) Over there, the
three dimensions of time become the space you move through, and
experience as space - and the one dimension of space (to us) becomes
the steady flow of time.
I know this is probably very confusing. This is actually where the
‘aetheric plane’ or ‘astral plane’ is located. It is literally the
‘inside out’ version of our own reality. Everything is inverted. A
‘particle’ here is a ‘wave’ over there, and vice versa. If you try
to bring a piece of matter over there into our reality too abruptly,
it turns inside-out very quickly and explodes.
We would call this
‘anti-matter’ - so in a sense, time-space is the ‘antimatter plane’.
CRESCENDO
Anyway, with a strong enough high-voltage current, you can bend
space PAST the ‘crossing point’ of light, and reach ‘crescendo’.
At
that point you have created a direct portal into time-space. When
any person or thing in our reality transitions into time-space, it
becomes invisible to our perspective.
A vortex into time-space may appear as a jet-black "hole" in the
space in front of you, a slate-gray surface as in the case of
certain stargate technologies, or as a mirage-like bubbling ‘lens’
effect within the room around you in other cases I’m aware of.
You can go THROUGH time-space to instantly travel anywhere in our
space or time. There are many problems with this, however, and that
gets into what went wrong with
the Philadelphia Experiment. I can
only scratch the surface as this is a very complex field of inquiry
(pun intended).
The more you read through the material on this site
the more you’ll understand.
GRID NODES
Certain areas of the Earth have a much higher torsion-field flux - and these are known as ‘grid nodes.’ In these areas it is faster and
easier to bend space, and thereby create anti-gravity AND ‘warp’
effects.
The best treatment I gave of it was in
Shift of The Ages, the first volume.
It seems that Norfolk, Virginia - the
same latitude line and approximate location as Virginia Beach, where
Edgar Cayce did his readings
- is a key ‘vortex point’ on the
Earth’s surface.
With enough of a blast of high-intensity
electromagnetic fields from the arc-welding going on in shipbuilding
at the Norfolk Naval Shipyard, strange ‘warp’ effects were being
observed.
As word of this reached the highest levels, the US government called
Dr. Thomas Brown in to investigate - and it was from these
observations that the Philadelphia Experiment was ultimately born.
LOST SCIENCE…
FOUND!
My contact at the last conference told me that all the information
about this could be found in Chapter Seven of Gerry Vassilatos’ book
"Lost Science"
- and much to my delight, I just found the text for
the entire chapter online!
I’ve tried to order the book at least
once (which came highly recommended from other contacts) but it
never actually shipped to me. Now all the relevant text is posted
online.
Here’s the key part of the book, which is apparently based on at
least two or three accurate insiders’ testimonies. I’ve introduced
modern web-standard paragraph spacing to make it easier to read:
"Electric
Flying Machines" - Thomas Townsend Brown
The increasing financial pressures of America’s Great Depression
forced Dr. Brown to leave the NRL, sign with the Naval Reserve, and
join the Civilian Conservation Corps in Ohio. In 1939 Dr. Brown
became a lieutenant in the Reserve and, after brief employment with
the Glenn L. Martin Company, was directed toward the Bureau of
Ships. There he worked on the magnetic and acoustic aspects of
warships.
It was during this time that Dr. Brown was to embark on an
adventure, which would alter the path of his life forever. Many of
the details and facts have been pieced together in a patchwork of
intrigues.
Gleaned from several reputable science sources, the incident reached
public awareness as the "Philadelphia Experiment". What sequence of
events triggered the Naval Research Laboratories to investigate the
possibility of optically "cloaking" vessels of war?
It all began when several Naval researchers were asked to
investigate a peculiar phenomenon, which was plaguing a classified
arc welding facility. This facility was classified because it
protected a new Naval process for fabricating very durable armor
plated hulls.
The spot-welding process employed an incredibly intense, high
amperage discharge.
The process was similar to modern MIG welding,
but was conducted on a titanic scale. Electrical power for this
welding process was supplied by a massive capacitor bank charged to
high voltage. Several steel plates could be thoroughly welded by
this process, the metal seams absolutely interpenetrated at the weld
points.
So intensely dangerous was this electrical discharge that personnel
were restricted from the site when once the parts had been
configured for the weld. Hazardous charge conditions being the least
worrisome aspect of the process, X-Ray energies were released in the
blinding blue-white arc.
Applied by a heavily insulated mechanical arm, the arc was pressed
to the plates by remote control, as power was stored in the
capacitor bank. The safety signal being given, a lightning-like
discharge absolutely rocked the facility. Radiation counters
measured the intense release of X-Rays. The process was a new
advance in Naval technology.
Neither the extreme electrical or radiation hazards obstructed
deployment of the system to other Naval facilities. Safety
precautions were at maximum levels. Workmen faced no hazard outside
the welding chamber. But another group of strange phenomena began
plaguing the facility… phenomena that had no reasonable explanation
at all.
Researchers examined the site, separately asked workmen to confirm
the rumors they were hearing, and watched the process for themselves
in the control booth.
What they saw was truly unprecedented. With the electrical blast
came an equally intense "optical blackout". The sudden shock of the
intense electric weld impulse was indeed producing a mysterious
optical blackening of perceptual space, an effect that was thought
to be ocular in nature.
This peculiar "blackout" effect was believed to be a result of
intense and complete retinal (rhodopsin) bleaching, a chemical
response of the eye to intense "instantaneous" light impulse. This
was the initial conventional answer. The more outrageous fact was
that the effect permeated the control room, causing "retinal
blackout" even when personnel were shielded by several protective
walls.
Any effect, which could permeate walls and render personnel
incapable of sensation in this manner, could be developed into a
formidable weapon. The wall-permeating blackout was a neurological
response, which paralyzed the whole physiology, rendering it
incapable of response to outside stimuli. So it was thought at this
point.
The research was earning and acquiring new levels of military
classification by the day. Here was a possibly radiated phenomenon,
which temporarily neutralized neural sensation, transmission, and
response.
The weapons experts knew that any electric radiance, which could be
substituted for a nerve gas, would offer a new military advantage.
An extraordinary means for deploying the effect, the horrid energy
could be "beamed" to any site. If properly controlled, entire
platoons could be rendered unconscious in a single "swiping flash".
An unfortunate victim of such exposures was a certain William
Shaver.
Mr. Shaver worked as a Naval arc welder with much earlier
and smaller hand-operated versions of this system. These systems
employed intense impulses of low repetition frequency. After
repeated exposures to this impulse energy, he began freely
hallucinating. The result of neuronal damage, the centers of his
will began shredding away.
This otherwise stable man ultimately lost his grips on reality,
writing hundreds of pamphlets throughout his remaining years on the
frightening topic of "beings from the underworld". It was
subsequently discovered that exposure to sudden electrical impulses
of intense potential and extremely low frequency produces a deadly
nausea, in some cases even the neurological damage leading to
eventual madness.
Careful examination of the effect before the NRL now proved
perplexing. First, the "blackout effect" could be photographed as
well as experienced. Therefore it was not a mere neurological
response to some mysterious radiance. The blinding discharge was
doing something to space itself. Researchers were now drawn into
this project with a deep fascination.
The "blackout" effect drew equally intense interest by Naval
officials for obvious military reasons. Careful study of research
publications funded by NRL grants reveals an intense preoccupation
with all such perception-related subjects.
But there were "other aspects" of the phenomenon which were
chilling. Bizarre rumors were being shared by certain of the
original weld-site workmen. Remember, these men were on the site
throughout the period, which proceeded the project’s classification.
They were privy to certain other phenomena, which had no rational
explanations.
Personnel hoisted hull materials and braced the pieces in composite
arrangements for the discharge operation to commence. The warning
alarm sounding, all workers and inspection teams promptly left the
site, frequently dropping tools and other implements where they
stood.
Capacitor charging required several minutes. The switch thrown, a
tremendous rocking explosion shook the site. The discharge produced
the blackout effect, and when the room was declared officially
"clear", workers returned to the chamber.
Workmen began noticing that tools and other weighty items, left on
the floor or around the chamber, were somehow "misplaced" during the
heavy arc discharge process. Imagining that these tools had been
thrown into corners or possibly driven into walls by the
room-rocking blasts, workers searched the entire welding facility.
The tools and other materials could simply not be found (Puharich).
Now the mystery was intensifying to a degree, which demanded a
complete study of the phenomenon from its first observation. Workmen
were called in to report what they had seen, felt, and experienced.
Repeated stories matched to such a degree that the "rumors" were now
taken as "personal testimony".
The entire proceedings were so highly classified that military
agents were not even aware of the study. What workmen told examiners
was that their tools and other site materials were "disappearing",
and disappearing "for good".
Foremen had scolded and ridiculed them repeatedly about this loss of
materials and tools until experiencing it for themselves. One fact
was clear, when the alarm blew and the discharge exploded, objects
disappeared. Where they went, none could say. High-speed films
proved that the effect was real.
Objects were placed on pedestals near the discharge arc. On
discharge, the objects dematerialized. The films proved it. They
were certainly not "thrust away" at high speeds, or even "impacted"
into walls by the intense arc blast. At first again, the
conventional answers came forth. The blackout effect was seen as a
mystifying radiant energy, possibly a specific variety of X-Rays.
These rays had power to both neutralize human neurological response
and disintegrate matter in its immediate vicinity. Here was the
possible "death ray" for which the military had long been searching.
The Second World War was raging, a possible second "theater" was
developing in the Pacific, and this sort of fundamental discovery
was enormous in military potential.
To end the war was the aim. The only aim.
If this effect could be developed into a weapon, it would be
deployed instantly thereafter. A weapons program of this kind would
require the nation’s most eminent scientists, and levels of secrecy,
which demanded the very highest stringency. Several Naval personnel
were summoned for this study.
Dr. Brown was requested to examine "the phenomenon". His knowledge
of "dielectric stress" phenomena and the activities associated with
arc discharges made him a perfect candidate. Keeping him "in the
blind" concerning their ultimate hopes for this new discovery would
not be easy. He "had a name" for being the dreamer.
When Dr. Brown reviewed the material, his conclusions were
strikingly different from those, which others gave. While academes
adamantly insisted that the observed dematerializations were the
result of "irradiation" and subsequent vaporization, no such
evidence for the "vaporizations" could ever be found.
Careful analysis of weld-chamber atmospheres proved negative in
these regards. No gasified metals were detected in the room air
throughout the discharge event. Truly mystifying. The NRL had to
know more.
Dr. Brown was sure he knew what was happening here. Despite the fact
that he had never observed these effects, his intuition taught him
well. Though in his early experimentation, he never experienced any
of these blackout effects, but Sir William Crookes had seen
this very thing.
Within the action space of his now famed high
vacuum tube, Sir William beheld a curious sight.
There, suspended over the cathode, was a black space, which was
actually radiant. The radiance extended beyond the tube walls in
certain special instances. Sir William had no difficulty accepting
the fact that this was a "space-permeating" blackness, a radiance
having far greater significance than a mere physical phenomenon.
Crookes believed this radiance was a spiritual gateway, a juncture
between this world and another dimension.
In the blackout phenomenon Dr. Brown yet recognized the signs that
space distortions were taking place. What was the upper limit in
strength of these space distortions? What other bizarre anomalies
would they manifest? His own small gravitators operated through high
voltages now considered "small".
When compared with those used in the new welding site, they were
minuscule. Nevertheless, his experimentation proved the effects of
small space warps. Material dragging was one such anomaly. In short,
he believed that every anomalous inertial behavior could be traced
to such space distortions.
In studying the entire effect, no single part was unimportant. Dr.
Brown knew that the massive hulls played their part. They were
somehow "spreading out" the electrical field and giving it a
specific shape. The electric arc, focused onto the hull by the
mechanical applicator was the formidable field source.
But something "extra" was occurring. Another realm of realities was
entering the scene where arc discharges blasted through the welding
chamber. He was the only one, perhaps with two others in the nation,
who would propose that the phenomenon was the result of an
interaction, which was "electrogravitic" in nature.
These were electrogravitic phenomena.
EVENTS
Associates reviled his thoughts and rejected his analysis of the
problem.
But the military needed answers. If Dr. Brown could bring
them closer to their weapons goal, his explanations would take
precedent. Acquiring the complete attention and respect of very
highest military specialists, he was asked to formally address their
small and elite corps.
Dr. Brown very casually described what he strongly believed was
happening, citing his own work and familiarity with such phenomena.
While his own experimental apparatus never produced spatial
distortions of this extreme intensity and focus, he nevertheless
observed similar effects, which had power to move matter.
Having no conventional electrical explanation, the only resolution
was found in the Einsteinian proposals concerning electrical and
gravitational force unity.
The chapter goes on from there, and
the entirety of the story is here.
The point I started excerpting from is about halfway down the page,
which is 44 pages long in print!
The important part is how these early accounts ultimately lead to
the creation of a cloaking technology for an entire Naval vessel. I
recommend printing out this whole account and reading it offline, as
the website is hard to read on-screen but is very printer-friendly.
MORE TO COME
In the next section we’ll go into another new discovery that all
ties in with this - and this was what originally triggered the whole
idea of writing this article.
The two very much interrelate. In the
meantime, the physics buffs in our audience should have a LOT to
chew on by exploring the two main links to the Gerry Vassilatos
material.
I have it on very good authority that Vassilatos has given all the
relevant answers to
anti-gravity and
free energy in that book, and
that there’s nothing else like it out there in terms of quality.
I’m still working on Part Two of the honeybee article, but this was
such a stunning discovery that I wanted to write about it while the
‘buzz’ was fresh in my mind!
Check back as I may do some rewrites to
this article and explain the new gravity principle I learned from
reading Vassilatos’ material.
Part II
May 21, 2007
The "Philadelphia Experiment" lore mentions a UFO book marked up by
three different black-ops (black
operations) insiders with secret data. Now you can
read it all online!
NOT THE FIRST
TIME I’VE WRITTEN ABOUT THIS…
In the early days of my website everyone always raved about
Shift of
the Ages as the best thing I’d ever written.
It was more accessible
and less of a ‘hard science’ read than
The Science of Oneness and
particularly
Divine Cosmos, which was the most complex and detailed
of the three. They’re all still here now but our current site design
has buried it, and at this moment I still need to re-format them to
modern Web paragraph spacing.
For new readers I recommend starting with "David’s Blog", since
that’s the latest, greatest material I’ve written here.
THE TRUTH
COMES OUT
Ever since I did the research to write "Shift of the Ages " in the
late 1990s, I’ve wished
I could see the original copy of Morris K. Jessup’s "The Case for
The UFO," complete with the alleged margin notes from three
different high-ranking black-ops guys who had direct knowledge of
the Philadelphia Experiment.
In case you don’t know, as we said in Part I above, the Philadelphia
Experiment was an alleged case involving teleportation of a US Navy
ship from the Norfolk Naval Shipyard, up to a harbor in
Philadelphia, PA and then back to the Norfolk port once again.
The effect it reportedly had on the sailors was devastating. Some of
them allegedly got stuck in the hull of the ship. Some simply died.
Others were left ‘gibbering, running mad’. Some would become
invisible at certain times, apparently associated with strong
emotional agitation - as in a documented case of two sailors getting
into a fight in a bar in Norfolk, and one of them disappearing
during the fight. Apparently they were given some kind of ‘hip
packs’ that would keep them from losing phase with our matter and
energy system.
Others were apparently processing time at a much slower rate than a
normal human being.
If their skin was rubbed frequently they could
be brought out of this unfortunate state, but you had to be patient
and continue for some time. Two hours of rubbing might only seem
like a few seconds based on their frame of reference for time. For
one of us to look at them, they would appear catatonic.
However, it was possible to re-orient
them to our own time with enough attention.
A MAJOR BREAK
IN THE STORY
A major break in this story came on the fifty-year anniversary of
the Roswell crash in 1997 with the publication of Col.
Philip Corso’s "The Day After Roswell. "
Corso revealed that it was NOT the
USS Eldridge that made the trip through hyperspace, as the ‘cover
story’ indicated. Instead it was a Navy minesweeper ship known as
IX-97.
Hence, ‘debunkers’ have investigated the Eldridge and its
crew, and found no evidence of the Philadelphia Experiment having
occurred.
In Part I we discussed the fascinating new revelations to come from
the Gerry Vassilatos material. An extremely high-intensity
electrostatic discharge, used for welding together metallic plates
on the hulls of huge Naval ships, caused a rift or dark opening to
appear in our space-time. Objects caught in the effective zone could
disappear from our reality completely.
Dr. Thomas Brown was brought
in, having seen similar effects in his own research - dark openings
and anomalous behaviors of physical matter under those conditions.
(I have read about the same thing happening to Lt. Col.
Tom Bearden
in his research with ‘scalar interferometry’, i.e. aiming two
different torsion-field generators at the same spot so the waves
collide and ‘interfere’ there. When he saw this jet-black aperture
form - like a vertically elongated oval - he apparently became quite
terrified and turned it off, never wanting to mess with it again - as he did not know what might come through. Do not try this at
home!)
It was from this initial observation that the effect was tested and
perfected enough that they felt they could use it on an inhabited
ship. The steel hull apparently had a dissipating effect.
It is
believed that the Philadelphia Experiment went awry because of an
inconsistency in the hull that caused the danger zone to bleed into
the area where the sailors were - though it was intended to be
outside the ship so no one got hurt.
NEW
ANTI-GRAVITY INSIGHTS
Another key revelation from the Vassilatos chapter on Dr. Thomas
Brown was the effect of anti-gravity being something that you could
get started, and then like a siphon it would continue running for a
period of time thereafter.
As the effect diminished, it did so in
step-wise fashion - and the overall effect was fluid-like.
For me this was a personal epiphany. I have studied the "Tibetan
Acoustic Levitation" story for years, but never really understood how it worked. Brown’s
discovery helped me make sense out of it - and the insider
statements from this book you’re about to read were what finished
the job.
Here’s a little excerpt:
8.9
TIBETAN ACOUSTIC LEVITATION
A similar usage of sound to produce levitation is the
now-infamous story of Tibetan Acoustic Levitation.
Various
tidbits of the story emerge repeatedly in the discussion rooms
and articles on free energy and UFO websites, however the best
treatment of this story that we have found is in an article by
Bruce Cathie in the book Anti-Gravity and the World Grid.
The beginning of the report is transcribed from a German
magazine article that was translated into English; and we begin
at the point where the translated article starts.
We know from the priests of the
far east that they were able to lift heavy boulders up high
mountains with the help of groups of various sounds… the
knowledge of the various vibrations in the audio range
demonstrates to a scientist of physics that a vibrating and
condensed sound field can nullify the power of gravitation.
Swedish engineer Olaf Alexanderson wrote about this
phenomenon in the publication, Implosion No. 13.
The following report is based on observations which were
made only 20 years ago in Tibet. I have this report from
civil engineer and flight manager Henry Kjelson, a
friend of mine. He later on included this report in his
book, The Lost Techniques.
This is his report:
A Swedish doctor, Dr. Jarl, a
friend of Kjelson’s, studied at Oxford. During those times
he became friends with a young Tibetan student. A couple of
years later in 1939, Dr. Jarl made a journey to Egypt for
the English Scientific Society. There he was seen by a
messenger of his Tibetan friend, and urgently requested to
come to Tibet to treat a high Lama.
After Dr. Jarl got the leave he followed the messenger and
arrived after a long journey by plane and Yak caravans at
the monastery, where the old Lama and his friend who was now
holding a high position were now living.
Dr. Jarl stayed there for some time, and because of his
friendship with the Tibetans he learned a lot of things that
other foreigners had no chance to hear about or observe.
One day his friend took him to a place in the neighborhood
of the monastery and showed him a sloping meadow which was
surrounded in the northwest by high cliffs.
In one of the rock walls, at a height of about 250 meters,
was a big hole which looked like the entrance to a cave. In
front of this hole there was a platform on which the monks
were building a rock wall.
The only access to this platform
was from the top of the cliff and the monks lowered
themselves down with the help of ropes.
In the middle of the meadow,
about 250 meters from the cliff, was a polished slab of rock
with a bowl-like cavity in the center.
[Note: This is part of how the sound resonance was focused
on the object.]
The bowl had a diameter of one meter and a
depth of 15 centimeters. A block of stone was maneuvered
into this cavity by Yak oxen. The block was one meter wide
and one and one-half meters long. Then 19 musical
instruments were set in an arc of 90 degrees at a distance
of 63 meters from the stone slab. The radius of 63 meters
was measured out accurately. The musical instruments
consisted of 13 drums and six trumpets. (Ragdons).
[Note: At this point the exact measurements of all the
instruments are given in detail, which we have omitted here
for brevity, as these measurements are discussed further in
the chapter.]
All the drums were open at one end, while the other end had
a bottom of metal, on which the monks beat with big leather
clubs. Behind each instrument was a row of monks. The
situation is demonstrated in the following diagram (see
above.)
When the stone was in position the monk behind the small
drum gave a signal to start the concert. The small drum had
a very sharp sound, and could be heard even with the other
instruments making a terrible din. All the monks were
singing and chanting a prayer, slowly increasing the tempo
of this unbelievable noise.
During the first four minutes nothing happened, then as the
speed of the drumming and the noise increased, the big stone
block started to rock and sway, and suddenly it took off
into the air with an increasing speed in the direction of
the platform in front of the cave hole 250 meters high.
After three minutes of ascent it landed on the platform.
[Note: Pay attention to the fact that it took three minutes
to rise 250 meters. We are not talking about a “cannonball”
effect. Slowly, the levity force overtook the gravity force
and the stone lazily rose into the air.]
Continuously they brought new blocks to the meadow, and the
monks using this method transported 5 to 6 blocks per hour
on a parabolic flight track approximately 500 meters long
and 250 meters high. From time to time a stone split, and
the monks moved the split stones away. Quite an unbelievable
task.
Dr. Jarl knew about the hurling
of the stones. Tibetan experts like Linaver, Spalding and
Huc had spoken about it, but they had never seen it. So Dr.
Jarl was the first foreigner who had the opportunity to see
this remarkable spectacle.
Because he had the opinion in the beginning that he was the
victim of mass-psychosis, he made two films of the incident.
The films showed exactly the same things that he had
witnessed.
The English Society for which Dr. Jarl was working
confiscated the two films and declared them classified. They
will not be released until 1990. This action is rather hard
to explain, or understand. End of trans.’
[Note: And now we have the beginning of Cathie’s comments]
The fact that the films were immediately classified is not
very hard to understand once the given measurements are
transposed into their geometric equivalents. It then becomes
evident that the monks in Tibet are fully conversant with
the laws governing the structure of matter, which the
scientists in the modern day western world are now
frantically exploring.
It appears, from the calculations, that the prayers being
chanted by the monks did not have any direct bearing on the
fact that the stones were levitated from the ground. The
reaction was not initiated by the religious fervor of the
group, but by the superior scientific knowledge held by the
high priests.
The secret is in the geometric placement of the musical
instruments in relation to the stones to be levitated, and
the harmonic tuning of the drums and trumpets.
The combined
loud chanting of the priests, using their voices at a
certain pitch and rhythm most probably adds to the combined
effect, but the subject matter of the chant, I believe,
would be of no consequence.
Cathie’s work then goes into an
explanation of how these measurements work very well with his
own discoveries of the energy harmonics of Planet Earth, and
Cathie’s work has already been covered in our book The Shift of
the Ages.
Cathie’s findings point us directly towards the idea that the
ether vibrates in harmonic resonance, and the vibrations can be
measured very precisely and put into numbers. For now, what we
should see is that this act of levitation is not a product of
fantasy - the entire setup was carefully observed, measured and
yes, even filmed.
It took the stones three whole minutes to rise, so this was not
simply a sudden catapulting effect; rather, it was more like a
slow, deliberate movement.
8.9.1 SCIENTIFIC ANALYSIS OF
TIBETAN ACOUSTIC LEVITATION
For those who are interested, an article by Dan Davidson helps
us to put this amazing event into scientific terms.
If the
technical numbers and terms bother you, then simply skip past
this excerpt and keep on reading, as it will not detract from
your overall understanding of the concepts.
Monks with 19 musical instruments, consisting of 13 drums and
five trumpets, were arranged in an arc of 90 degrees in front of
the stone block.
The instruments had the following measurements:
-
8 drums were 1 meter
diameter x 1.5 meters deep x 3mm sheet iron and weighed
150 kg.
-
4 drums were 0.7 meter
diameter x 1 meter deep
-
1 drum was 0.2 meter
diameter x 0.3 meter deep
-
All trumpets were 3.12
meters x 0.3 meters…
Calculations reveal that the
volume of the large drums are similar to the stone block
volume.
The medium drums are one third the volume of the
large drum and the small drum is a 41st of the medium drum
and 125th of the large drum. The exact volume of the large
stone is not available; however, the harmonic relations of
the drums implies it is about 1.5 cubic meters.
Another interesting aspect of this levitation demonstration
is the small amount of power necessary to perform the
levitation. The loudest tolerable sound pressure that a
person can stand is approximately 280 dynes/cm2. From
physics analysis this translates to about 0.000094
watts/cm2.
If we assume that each monk with his instrument produced one
half this much sound energy (which is highly unlikely) and
we make the further gross assumption that this is the amount
if power that reaches the stone (actually sound dissipates
rapidly over distance), we would have about 0.04 watts
(i.e., (19 instruments + 19 × 4 monks) x 0.000094) hitting
the huge stone block.
This is an astoundingly small amount of energy actually
hitting the 1.5 cubic meter stone to produce the effect.
To lift the stone 250 meters takes a prodigious amount of
energy. Rocks such as granite and limestone have weights in
the neighborhood of 150 - 175 pounds per cubic foot.
If we assume a nominal value of 160 pounds per cubic foot
then the 1.5 cubic meter stones weighed around 8475 pounds
(i.e., over 4 tons!!!). To lift the 8475 pounds 250 meters
would require about 7 million ft-pounds of work (i.e., 8475
pounds X 250 meters / 0.30408 meters/foot = 6,968,035).
Since this was done over a 3 minute period then about 70
horsepower was produced (i.e., 7 × 106 foot-pounds / 180
seconds / 550 horsepower/foot-pound/second = 70.384). This
is equivalent to 52 kilowatts (i.e., 70.384 X 0.74570
kilowatts/horsepower = 52.5). The over unity power factor we
obtain is 5,250,000 over unity (i.e., 52,500 watts/0.01
watts).
The monks were obviously tapping into a huge amount of free
energy to levitate the huge stone blocks, or gravity
requires little power to affect its operation once the
principles are understood.
What Davidson missed in this
analysis is that the “levity” force is already nearly as strong
as the “gravity” force, so it isn’t as hard to shift them as one
might otherwise think.
Clearly, the entire arrangement was tailor-made to create waves
of sound resonance that would reverberate within the stone to be
moved, and absorb or reflect the downward-pressing force to
create levitation.
If we look back at the shape of the monks with their trumpets,
we can see that they formed exactly one quarter of a circle,
with all their sound pressure directed at the “bowl” depression
in the ground that the stone sat in.
Once the stone had reached a relatively pure level of sound
resonance inside of itself, which took several minutes, a
gateway for the aetheric energy to flow into our reality would
be opened up, and a polarized spherical “consciousness unit”
field would form around the object.
Then, like water drifting into a whirlpool, the gravity would
simply absorb into stone without pushing it down to the Earth,
while the weaker levity or “pressor” force coming up from the
Earth would win out, causing the stone to gradually rise. If
you’ve ever seen a bubble of air slowly, slowly rise through a
thick liquid, then you can see how these differences in pressure
could create a slow levitating effect.
Furthermore, we remember that Cathie didn’t think that the
chanting or concentration of the monks had anything to do with
the final effect. However, the work that was displayed by gifted
psychics such as Nina Kulagina helps us to see that the energy
of consciousness, focused by the chanting and meditation, could
certainly have been involved in the levitation.
It is possible that without the extra “kick” of meditation to
add more conscious energy to the mix and organize what was
already forming there, this experiment could not be replicated.
This dramatic display starts to make
even more sense to us when we consider that the Tibetans might
be the inheritors of a lost ancient aetheric science from an
advanced technological society; and these topics were examined
in The Shift of the Ages.
That’s as much as I understood back when
I wrote The Science of Oneness, but the part I was missing was how
gravity is the primary force of space-time and levity is the primary
force of time-space.
When you create a ‘node’ into time-space you
create anti-gravity, as well as a portal into time-space. In fact it
appears you cannot use anti-gravity without transitioning into
time-space.
This explains everything from the bizarre effects of Dr. Viktor Grebennikov’s flying platform to the recent accounts of Dr.
Ralph Ring that appeared in a
video on Project Camelot. In both cases, using anti-gravity appears
to put you into time-space - you move through a vortex field.
I hate
to tease you but we’ll have to save this discussion for Part III.
AND NOW FOR THE ENCORE…
I do believe the truth will set you free - and it is very clear,
from the accounts I’d read in the past about the handwritten notes
in "The
Case For The UFO," that we’re dealing with a genuine insider
‘leak’.
I actually am making this post before I’ve gone in and done
all the reading myself. I consider this to be ‘frontier research,’
as you can read it at the same time that I am.
Probably some of it will not be understandable, but with the passage
of time and the increasing number of ‘leaks’ that have emerged since
the time it first surfaced, we should be able to piece together more
and more of it.
Part III
May 25, 2007
We continue our discussion and analysis of the black-ops insider
notes in the "Case for the UFO" book, and unravel the story of two
warring ancient civilizations on Earth!
PRELIMINARY DISCUSSION
One way to read this book is to ONLY read the margin notes from the
black-ops guys. If you do, a strange case emerges.
To deal with the basics, these guys call themselves "Gypsies" at
least once. I would encourage you not to take this literally, as it
may well be a code for a secret society or insider group
- perhaps
like
the Illuminati, or perhaps the opposing faction that grew into
the Majestic / NSA / neo-conservative axis.
[Discussions with Dr.
Dan Burisch have made it very clear that
there are two major
opposing groups, as I had long suspected.]
There is a clear cult mentality in the way normal human beings are
talked about in these notes - the term 'Gayim' is obviously similar
to 'Goyim', which you find in the "Protocols of
The Learned Elders
of Zion."
This Zion document is usually discredited as a fake, intended by
Hitler to incite anger towards Jews. Nonetheless, the principles in
said document clearly demonstrate a great deal of thought about
treating society as a giant machine, and engineering social
conditions to get people to follow the will of the elite. If there
is any truth to it, you might find more of a reflection of the
thinking of the real authors of it than of the group they allegedly
designed it to attack.
Anyway, talking down about people not on the 'inside' is a standard
thing you come across in genuine insider materials like this. With
the secret knowledge often comes a sense of superiority.
As you read through the notes, you also see lots of content
associated with the Global Grid concepts I have written about in
each of the Convergence books - "sheets of diamonds," et cetera.
There are also fascinating statements about anti-gravity and
observations of the Philadelphia Experiment.
However, the most fascinating part to me was the discussion of a war
going on between two ancient, rival groups they call the "L-M" and
"S-M."
'LITTLE MEN'
It is clear, from more than one location, that "L-M" means "Little
Men" and "Lemurian Men", and the two 'L-M' terms are
interchangeable, talking about the same group.
The
Lemuria talked about here is very likely what the
Cayce Readings
referred to as the "Rama" empire. This group would therefore have
colonized land in India. Indeed, their knowledge and battles are
still preserved in the ancient Vedic scriptures, still considered
central religious text in the Hindu faith.
In the oldest Vedic scriptures, you read about flying craft called
Vimanas, a vicious war with an opposing faction, sections that
almost certainly suggest the use of nuclear weapons in conflict, et
cetera. I did an exhaustive summary of the physics in the Vedic
scriptures in
Chapter 14 of the Science of Oneness.
Since Lemuria is also reputed to have lost land in the great flood,
they may have also colonized other island areas in the Pacific that
sank, like in the legend of Atlantis. However, the Pacific basin is
a huge, empty wasteland that is largely free of any submerged areas
that COULD have been giant island continents before.
Therefore, I propose that the Lemurian empire was largely centered
in India, China and the Indonesia / Philippines island chain. Since
most civilizations form on coastal regions, there could have been
great loss of life and many major cities by a sudden rise in sea
level.
They may have also had land off the west coast of South
America, as per another Cayce reading.
Graham Hancock's work, such as in "Underworld", reveals sunken
'megalithic' (giant stone) architecture around the coast of India.
That could explain how the legend of Lemuria 'sinking' came about.
Too many coastal civilizations.
When we also consider Hartwig Hausdorf's research that there are
ancient
pyramids in China, in the Shensi province, which first broke
on the Laura Lee website, the breadth of this formerly vast
civilization becomes clearer.
Chris Maier of the Unexplained Earth website actually traveled there
and independently snapped his own photographs of the pyramids, which
you can see and read about here in an article from 2004.
'SPACE-MEN' = FORMER ATLANTEANS
We never directly hear what "S-M" stands for, but given that the 'L'
stood for the very simple word 'Little,' the 'S' is very likely
quite simple as well.
My educated guess is that it stands for
'Space', and all the evidence supports that. The Atlanteans clearly
seem to have colonized the Moon and perhaps Mars as well, so when
the island sank, you can bet that not all the insiders perished.
To the extent that the Sumerian cuneiform scriptures may be an
inheritance from those who survived an Atlantean catastrophe, the
"S" may also refer to "Sumerian-Men" - however, it seems the
survivors predominantly relocated in space and only shared limited
knowledge with those on Earth, who were in a primitive state after
the Great Flood.
There is at least one passage suggesting that BOTH of these rival
groups started out as advanced Earth civilizations - namely
Atlantis
and Rama.
We are then led to infer that the war-making Atlanteans
migrated into space, hence "Space-Men." The notes say the S-M were
grabbing asteroids, obviously with large and powerful ships, and
hurling them at the Lemurian / Raman settlements, forcing them to go
undersea to avoid the attacks.
The technology of either group was more advanced than our own, and
this included the ability to displace the weight of untold tons of
ocean water so they could safely live under the sea. A robust
anti-gravity technology would certainly not exclude this
possibility.
The weirdness is further increased as we find out that the Lemurians
apparently experienced adaptive genetic mutations as a result of
being born, living and dying under the sea.
Apparently their bodies
evolved gills as an adaptation, so they could swim and breathe
underwater to some degree.
This could be supported by the John Kearns study frequently cited by
Dr. Bruce Lipton.
If you take bacteria that cannot digest lactose
and put them in an environment where lactose is the only food source
available, they will actually genetically alter their own
mouth-parts to be able to consume lactose.
Hence,
our DNA is an
antenna that allows for adaptive mutations if we are put in an
environment requiring new attributes for survival.
The movie "Waterworld" concludes with the surprise twist that Kevin
Costner's character has evolved gills after a massive flood wiped
out most civilizations on Earth. It could very well be that future
generations of the same insiders who wrote the margin notes in this
book were responsible for making this huge-budget film.
"Waterworld" takes on a very different 'spin' if you figure that
rather than being a story of our future, it is a story of our past
- a small group of people who survived the Atlantean "great flood", as
well as showing how some of them may have evolved to live under the
sea.
I know, I know… now you're actually going to have to go see the
movie.
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