Article 13
				 
				
				This section of 
				the directive will completely reconfigure websites' 
				responsibilities when it comes to enforcing copyrights. 
				
				 
				
				Until now, the 
				so-called
				
				Ecommerce Directive has given 
				online platforms broad protection from being subject to 
				copyright penalties when they simply acted as a conduit for user 
				uploads.
				 
				
				 It's very 
				similar to the laws in the U.S. that exempt YouTube from 
				penalties as long as its making its best effort to take down 
				infringing material when it's reported. 
				 
				
				YouTube uses an 
				automated content recognition system combined with an army of 
				human beings to review the material users' upload. It costs the 
				company millions of dollars to do this.
				 
				
				Critics of 
				Article 13 say that every popular platform - estimated to mean 
				the top 20 percent - that allows users to post text, sounds, 
				code, still or moving images will need one of these systems.
				 
				
				Last week, 70 
				of the most influential people in the field of technology
				
				signed a letter opposing 
				Article 13. 
				 
				
				Pioneers like 
				Cerf and Berners-Lee were joined by experts in virtually every 
				facet of the online world to say that the legislation would harm 
				freedom of speech, education, expression, and small businesses 
				while giving major platforms that already heavily monitor their 
				service a distinct advantage.
				 
				
				Activist, 
				author, and special advisor for the Electronic Freedom 
				Foundation, Cory Doctorow has
				
				written
				
				extensively about the potential
				
				implications of Article 13 
				since it became a crisis in the last few months. 
				
				 
				
				He told 
				Gizmodo over the phone that as it's written, the legislation 
				will cost "hundreds of millions" of dollars in penalties for 
				platforms that can't handle monitoring, and he's confident that 
				companies like
				
				Google and
				
				Facebook will be the only ones 
				that can survive.
				 
				
				The big 
				question around Article 13 is its vague requirement that 
				websites use "appropriate" measures to prevent copyrighted 
				material from ever appearing on their service. 
				
				 
				
				It suggests 
				"effective content recognition technologies" be used several 
				times without explaining what that means, how it would work, how 
				claims would be filed, or anything practical. 
				 
				
				For critics 
				like Doctorow, the natural conclusion is that big platforms will 
				use their own system and some sort of centralized system will be 
				required for the rest. 
				 
				
				Because there's 
				no outline of how such a system would work, there are no 
				penalties for people who falsely claim ownership over the 
				content.
				 
				
				In the event 
				that someone uploads a claim over the complete works of 
				Shakespeare - which is in the public domain - a platform would 
				have to individually decide if that claim is worth taking a risk 
				and allowing someone else to quote a sonnet by the bard.
				 
				
				If the platform 
				doesn't want to take the risk, someone fighting a copyright 
				claim would have to go to court.
				 
				
				As we see all 
				the time, algorithms by the richest companies in the world are
				
				terrible at doing their jobs. 
				This week,
				
				we saw YouTube blocking 
				educational videos from MIT and the Blender Foundation because 
				they were erroneously flagged by its piracy filters. 
				
				 
				
				In the past, 
				we've seen bullshit piracy claims over
				
				white noise and birds chirping.
				 
				
				Also, what's 
				possibly the most important problem with Article 13 is that it 
				makes no exceptions for fair use, a foundation of the internet 
				an essential caveat in the law that allows people to remix 
				copyrighted works.
				 
				 
				 
				
				Article 11
				 
				
				Article 11 has 
				been variously called the
				
				link tax or the
				
				snippet tax. 
				 
				
				Designed to 
				mitigate the power over publishers that Google and Facebook have 
				amassed in the last decade, it codifies a new copyright rule for 
				linking to news organizations and quoting text from their 
				stories. 
				 
				
				Online 
				platforms will have to pay for a license to link out to news 
				publishers, and this will theoretically help support 
				organizations that are vital for public information and drive 
				users to their homepages.
				 
				
				That all sounds 
				decent in principle, but Article 11 doesn't bother to even 
				define what constitutes a link. Details will be left to the 28 
				individual countries in the EU to figure that out. 
				
				 
				
				That opens the 
				door for political abuse of how news is spread in each country, 
				and it will likely have the opposite of its intended effect.
				 
				
				Google can 
				afford a license, there's no guarantee smaller organizations 
				can. Member of European Parliament Julia Reda is firmly 
				opposed to Article 11 and 13. 
				 
				
				She recently 
				wrote on
				
				her website: 
				
					
					"Instead of 
					one Europe-wide law, we'd have 28, with the most extreme 
					becoming the de-facto standard: 
					 
					
					To avoid 
					being sued, international internet platforms would be 
					motivated to comply with the strictest version implemented 
					by any member state."
				
				
				In response to 
				her MEP counterpart Alex Voss's
				
				defense of Article 11, Reda 
				gave
				
				The Next Web an illustration of 
				how the differences between countries could play out:
				
					
					The 
					sentence 'Angela Merkel meets Theresa May,' which could be a 
					headline of a news article, cannot be protected by 
					copyright, because it is a mere statement of fact and not an 
					original creation. 
					 
					
					Mr. Voss 
					said repeatedly that he wants these purely factual 
					statements to be covered by Article 11, that the protection 
					granted to press publishers will therefore be much broader 
					than even what the journalists themselves get.
				
				
				Reda also 
				pointed out that egregious sampling or wholesale theft of news 
				content is already illegal under current copyright law. 
				
				 
				
				There's no 
				reason to believe that Facebook with its fancy link license will 
				ever face penalties for users posting an entire article on their 
				wall. But when Facebook decides it doesn't like your particular 
				political point of view, it'll be a lot harder for you to start 
				a small platform and express it.
				 
				
				The 
				consequences of Article 11 and Article 13 remain a matter of 
				speculation, but the nature of the legislation - both its design 
				and its vagueness that makes it ripe for abuse - make it all but 
				inevitable that they will leave the internet torn and tattered 
				in its wake. 
				 
				
				Here are some 
				likely victims.
				 
				 
				 
				
				Memes
 
				
				Even if you 
				think that people who pirate music should be executed and all 
				news organizations are the devil, you probably like memes.
				
				 
				
				Well, whoever
				
				took a picture of that one guy 
				looking at that one girl instead of the other girl, will be 
				having a field day running around filing complaints against any 
				platform that uses it without permission. 
				 
				
				No fair use 
				means you'll have to go shoot your own photo to caption and make 
				it clear that anyone is allowed to further caption it in the 
				pursuit of creating a meme.
				 
				 
				 
				
				Artists
				 
				
				Remixes 
				and mashups are fucked.
				 
				
				Any artist that 
				relies on fair use to make transformative works is 
				fucked. 
				 
				
				And the 
				Metallica's of the world who love running around policing where 
				their work will have platforms, and their grunts making sure to 
				pull down that birthday party video of you and your friends just 
				trying to have a good time while some song was on the radio.
				
				 
				
				Are you wearing 
				a Rick and Morty shirt in that perfect profile pic?
				
				 
				
				Sorry, the 
				stupid algorithm flagged it, and now it's gone.
				 
				 
				 
				
				Politics
				 
				
				Aside from the 
				potential of individual countries in the EU to decide what is 
				and isn't news, copyright claims could be used to suppress 
				material for political purposes. 
				 
				
				Doctorow gave 
				us the example of a politically sensitive video uploaded to a 
				platform just days before an election. 
				 
				
				Let's call it 
				the pee tape. If the target of the pee tape were to know 
				it was about to be released, it could be uploaded to a content 
				monitoring platform with a copyright claim lying in wait. 
				
				 
				
				The censorship 
				filters would catch it before it was seen by the public, and the 
				election could come and go while a legal fight plays out behind 
				the scenes.
				 
				
				There's also 
				the issue of surveillance. We already accept that companies like 
				Facebook hire people to comb through our shit while trying to 
				identify infringing content. 
				 
				
				The EU is 
				trying to force many more companies to deputize a bunch of 
				sleuths, human and algorithmic, expand this shadow surveillance 
				state that monitors everything we post on these platforms.
				
				 
				
				As Doctorow put 
				it to us, 
				
					
					"Any kind 
					of censorship in the modern age is surveillance."
				
				 
				 
				
				Etc.
				 
				
				There are 
				numerous other bad implications that have been flagged by 
				activists,
				
				academics,
				
				human rights groups, and
				
				online businesses. 
				
				 
				
				We didn't even 
				discuss Article 3, which has artificial intelligence startups
				
				sweating bullets. I'd urge you 
				to call your representatives, but we mostly serve an audience in 
				the U.S., where we largely lack the power to force lawmakers' 
				hands. 
				 
				
				We don't know 
				if this will have the ripple effects we've seen with the
				
				GDPR privacy rules that are 
				slowly being picked up as the global standard. 
				
				 
				
				But Doctorow 
				told us that implementation of the copyright directive adopted 
				on Wednesday will be just like GDPR's
				
				chaotic rollout last month.
				
				
					
					"Everyone 
					is going to forget about it" during the waiting period 
					before the law is implemented, "and in two years they're 
					going to wake up and say holy shit!"